在睡梦中成为邻居目标的已婚妇女
一名邻居男子偷偷地透过窗户偷看一名似乎熟睡的女艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。他偷偷地破窗而入，开始触摸已婚妇女熟睡的身体。已婚妇女被这反应吓了一跳，惊慌失措的说不出话来，被强暴了
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黑暗深处
塞缪尔·勒·比汉,阿米尔·艾尔凯塞,让-雨果·安格拉德,托马·索利韦尔,迭戈·马丁,布鲁诺·桑切斯,马克·里索,安托万·巴斯勒,Wabinlé Nabié,Rachid Guellaz,Mohamed Aroussi,米卡埃尔·菲图西,Arthur Guivarch,Carl Laforêt,Yves Turi,菲利普·托雷顿菜鸟上班第一天就听到老鸟说，最近矿场有人失踪或重伤。矿场老板告诉他们，只要查明真相愿意给予丰厚赏金。在来到事发矿区后，他们却看到白骨与干枯血迹。吓得一群人试图回到地面，却发现入口意外被堵死，同伴还被嗜血怪物袭击。漆黑的地下，怪物在身后逼近，他们能否就此逃脱，诱惑是成为怪物口中的佳肴？
不能犯
松坂桃李,泽尻英龙华,新田真剑佑,安田显,间宫祥太朗,真野惠里菜,芦名星,矢田亚希子,菅谷哲也,冈崎纱绘,忍成修吾,水上剑星,水上京香,今野浩喜,堀田茜,小林稔侍《不能犯》改编自宫月新原著、神崎裕也作画的同名漫画，里面的主人公“电话亭之男”（松坂桃李）是一名类似于《死亡笔记》中夜神月的暗黑英雄，专杀那些本身有罪但没有受到法律惩戒的人。
异形终结
彼得·威勒,罗伊·迪普伊,詹妮弗·鲁宾,安德鲁·劳厄尔,迈克尔•卡洛兹,杰森·卡弗利尔,莱尼·帕克,布鲁斯·博阿,查尔斯·鲍威尔,Liliana Komorowska,Tom Berry,Henry Ramer故事发生在遥远的2078年，矿业组织NEB在天狼星6B行星上发现了名为“Berynium”的元素，该元素蕴含着巨大的能量，可以用来充当能源使用。组织派遣了一批矿工前往行星进行能源开采，然而工人们很快就发现，Berynium拥有强烈的放射性，根本不适合使用。虽然矿工们强烈要求停止任务，但组织却不为所动，无奈之下，矿工们自发的组成了“联盟”，和组织之间开始漫长的对抗。为了抵挡组织的猛烈攻击，联盟研制出了小型机器人“Screamer”，它拥有敏捷的身手和强大的攻击力，给敌方造成了巨大的伤害。然而，联盟并不知道的是，在不知不觉间，机器人们已经进化出了自我意识，想要成为这颗星球上的主宰者。
误入魔爪
Jordyn Rudolph,Brad Bell,Ryan Rudolph四名青少年在一次公路旅行中决定绕道而行，发现自己在肯塔基南部森林深处的鬼屋“万圣节尖叫公园”。在目睹了各种各样的折磨和gore之后，他们开始怀疑自己经历的事情是否有点太现实了。在他们知道之前，他们中的每一个人都被俘虏了，并成为他们原本认为可怕的乐趣和游戏的一部分…
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
为了亚当
蕾雅·德吕盖,安娜玛丽亚·沃特鲁梅,阿莱克斯·德斯卡,朱尔斯·德尔萨特,洛朗特·卡普洛托,克莱尔·博德森,索尼娅·贝卡姆,麦克斯·罗宾,阿德利安·迪安娜,米凯莱·莫安娜·内德塔尼,亚历山大·马托比,杰登·穆约佐罗·马耶巴,肯娜亚·索玛,安妮·拉勒芒特,蒙尼亚·杜依布,吉尤利娅·巴尔福罗德,塞德里克·拉克辛,雅典娜·达纳·珀罗斯,卡利姆·奇哈布,宝琳·格雷高利一如往常，护理师露西奔走于各个小儿科病房，BP机、哭喊声填满了她的崩溃日常。但今晚，有个小孩让她格外心力交瘁：四岁的亚当因营养不良入院观察，他妈妈海蓓卡执意要彻夜守在孩子身旁，偏偏她被法院裁定照顾失当，不得长时间探访。为了让拒绝进食的亚当乖乖吃饭，露西打算破例让她留下，岂料海蓓卡却想悄悄偷走亚当⋯⋯