湖畔危情
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剧情简介
Peter暂无内容(Sean暂无内容de暂无内容Guzman)暂无内容was暂无内容a暂无内容videographer暂无内容for暂无内容weddings暂无内容and暂无内容events.暂无内容However,暂无内容on暂无内容his暂无内容free暂无内容time暂无内容(which暂无内容is暂无内容a暂无内容lot暂无内容lately),暂无内容he暂无内容hung暂无内容out暂无内容in暂无内容a暂无内容remote暂无内容picturesque暂无内容lakeside暂无内容camping暂无内容area暂无内容where暂无内容couples暂无内容came暂无内容to暂无内容do暂无内容their暂无内容coupling暂无内容in暂无内容open暂无内容air.暂无内容Peter暂无内容would暂无内容stalk暂无内容these暂无内容couples暂无内容and暂无内容sneakily暂无内容take暂无内容videos暂无内容of暂无内容their暂无内容lovemaking暂无内容while暂无内容getting暂无内容himself暂无内容off.暂无内容He暂无内容would暂无内容then暂无内容post暂无内容these暂无内容sex暂无内容videos暂无内容on暂无内容an暂无内容onlin... 暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容 暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容(展开全部) 暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容 暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容 暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容暂无内容 Peter暂无内容(Sean暂无内容de暂无内容Guzman)暂无内容was暂无内容a暂无内容videographer暂无内容for暂无内容weddings暂无内容and暂无内容events.暂无内容However,暂无内容on暂无内容his暂无内容free暂无内容time暂无内容(which暂无内容is暂无内容a暂无内容lot暂无内容lately),暂无内容he暂无内容hung暂无内容out暂无内容in暂无内容a暂无内容remote暂无内容picturesque暂无内容lakeside暂无内容camping暂无内容area暂无内容where暂无内容couples暂无内容came暂无内容to暂无内容do暂无内容their暂无内容coupling暂无内容in暂无内容open暂无内容air.暂无内容Peter暂无内容would暂无内容stalk暂无内容these暂无内容couples暂无内容and暂无内容sneakily暂无内容take暂无内容videos暂无内容of暂无内容their暂无内容lovemaking暂无内容while暂无内容getting暂无内容himself暂无内容off.暂无内容He暂无内容would暂无内容then暂无内容post暂无内容these暂无内容sex暂无内容videos暂无内容on暂无内容an暂无内容online暂无内容porn暂无内容site暂无内容to暂无内容make暂无内容money暂无内容out暂无内容of暂无内容them.
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心中的恶魔
1989年的寂静深夜，南哈特福特三名神职人员遭到屠杀。行凶者名叫玛莉娅·罗西（苏珊·克萝蕾 Suzan Crowley 饰），事后被诊断体内藏有七重人格。在此后的岁月里，她被带往意大利驱魔。时隔20年，玛莉娅的女儿伊莎贝拉·罗西（费尔南达·安德拉德 Fernanda Andrade 饰）决定拍摄一部关于母亲的纪录片，她启程前往罗马，见到了久违的母亲，而玛莉娅所说的话令她颇为震惊。为了探明母亲的病因，她在当地找到了两位瞒着教会偷偷进行驱魔的教士年轻驱魔师（赛门·克特曼 Simon Quarterman 与 伊凡·海慕特 Evan Helmuth 饰）。在他们的努力下，玛莉娅体内的魔鬼们渐渐显现出来…… 本片荣获2012年BMI电影与电视奖最佳电影配乐奖。
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.