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阿尔·帕西诺,布兰特妮·斯诺,莎拉·夏希,卡尔·厄本,乔·安德森,杰梅因·里弗斯,谢勒·拉莫斯,迈克尔·帕帕约翰,斯蒂芬·考特尔,欧德莎·雷,朱尔斯·黑文,薇薇安娜·查维斯,马特·默丘里奥,迈克尔·罗斯,德韦恩·博伊德,斯洛恩·沃伦,乔恩·亚瑟E.S.P.Y
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每熊克哉,北香那,奥野瑛太,高桥惠子,原田喧太,影山祐子,山中聪,郑龙进,岭豪一,和田庵,伊藤佳範,宇乃徹,长村航希,海空,安藤瞳,咲耶,赵珉和,松本勝,秋庭賢二,佐藤寿保,ダーティ工藤,白川和子,下元史朗,甲本雅裕导演精选
商战街
这是一部关于股票交易的影片，处处流露着金钱和欲望，一个草根凤凰男逆袭的故事。男主出生并成长在印度的一个小山村里。男主一心梦想前往孟买，去为自己的偶像（一位金融大鳄）去打工。金融大鳄亦是贫寒出身但却成功逆袭的典范。男一号发誓要成为像该金融大鳄一样的成功男士。男一号凭借自己 的努力和对机遇的掌控，在一年时间内，成为该金融大鳄最得力的助手。一时间，宾利，私人飞机，游艇都已是囊中之物；顺便，男一号再抱得美人归。然而，一切的成功都来的太突然。男一号殊不知自己只不过是金融大鳄的傀儡。而漂亮的女友也只不过是金融大鳄的情妇而已。摆在男一号面前有两条路。是接受金融大鳄所给的上亿支票继续为奴，还是推倒金融大鳄，自己彻底翻身？
奥赛罗
奥赛罗（谢尔盖·邦达尔丘克 Sergei Bondarchuk 饰）是骁勇善战的大将军，元老的女儿苔丝狄蒙娜（伊琳娜·斯科布采娃 Irina Skobtseva 饰）爱上了他，但因为奥赛罗是一名黑人，所以两人的婚事遭到了元老的反对。不愿意就此放弃这段感情的两人决定私定终身，这个秘密被一直嫉妒奥赛罗的旗官伊阿古（安德烈·波波夫 Andrei Popov 饰）给暗中偷听到了，于是伊阿古决定破坏这段姻缘。哪知道伊阿古的捣乱反而促成了这段婚事。 伊阿古并没有善罢甘休，奥戴罗和苔丝狄蒙娜结婚之后，伊阿古通过伪造定情信物的手段开始挑拨这对夫妻之间的感情。占有欲极强的奥赛罗很快就走进了伊阿古设置的圈套之中。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.