影片推荐
灵蚀
桑德拉·埃斯卡塞纳,布鲁纳·冈萨雷斯,克劳蒂亚·普莱瑟,伊凡·查韦罗,安娜·托伦特,康斯薇洛·特鲁希略,安吉拉·费比安,卡拉·坎普拉送葬人
道格拉斯·史密斯,卢锡安·拉维斯科特,克雷西达·博纳斯,道格·琼斯,迈克尔·特鲁科,珍娜·凯内尔,埃丽卡·特伦布莱,玛丽莎·埃切维里亚,克利奥·金,费·唐纳薇,凯瑞-安·莫斯,雷·沃纳尔,凯琳·伍黛尔,拉腊·诺克斯,乔纳森·潘内尔,尼古拉斯·萨德勒,玛莎·哈克特,库尔特·岳星际之旅：木星计划
让-尼古拉·韦罗,朱莉·佩罗特,Julien Deschamps Jolin,Nadia Essadiqi,Pierre Verville,Marie-Ginette Guay,Roberto Mei,Ted Pluviose,Raphaël Lacaille,Hubert Gagnon银色星球
安德烈·瑟韦林,杰吉·特雷拉,格拉齐娜·迪拉格,瓦尔德马·科纳克基,伊沃娜·别尔斯卡,耶日·格拉莱克,埃尔兹别塔·卡尔科什卡,克里斯提娜·杨达,马切伊·古拉伊,亨里克·塔拉尔,莱谢克·德卢戈什,让·弗里兹,亨里克·比斯塔,维斯瓦夫·科马萨,耶日·戈林斯基消失的证据
郑媛元,王帅,高迦澜马拉加街夕阳红
卡门·毛拉,玛尔塔·埃图拉,艾哈迈德·布拉内,玛利亚·阿尔方萨·罗索,米格尔·加尔塞斯,拉·伊门同类精选
鬼三惊2
萨瓦特·博拉娜波拉特,素帕娜·吉塔勒拉,雷·麦克唐纳,辛扎伊·本班尼,Apapattra Meesang惊声尖叫7
内芙·坎贝尔,伊莎贝尔·梅,柯特妮·考克斯,梅森·古丁,贾思敏·萨沃伊·布朗,大卫·阿奎特,马修·里沃德,斯科特·弗利,塞莱斯特·奥康纳,阿萨·格尔曼,麦肯娜·格瑞丝,萨姆·雷希纳,米歇尔·兰道夫,吉米·塔特罗,安娜·坎普,乔尔·麦克哈尔,马克·康苏斯,伊桑·恩布里,维克托·特平,Scott Allen Frederick,艾米·彭伯顿,Josh Thrower,Cyle Winters,罗格·杰克逊巫咒
王楠楠,田诗雨,张瀚文,刘宇锋,姜景中,王倾,关鹏,刘頔,郭子恒,宋卓然死亡修女
阿瑞亚·贝得玛,阿尔穆德纳·阿莫尔,Maru Valdivielso,Luisa Merelas,Chelo Vivares,Pablo Guisa Koestinger,康斯薇洛·特鲁希略,Daniela Casas,Olimpia Roch,Sara Roch,Marina Delgado,Claudia Fernández Arroyo,Adriana Camarena飞砂风中转
郑伊健,陈小春,方中信,余安安,叶璇,陈子聪,刘浩龙坏继母
苏菲亚·威希涅瓦,克里斯蒂·斯旺森,罗根·霍夫曼,戴夫·戴维斯,Anthony Marble,约翰·麦康奈尔影视排行
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
穿越者之异梦空间
马文强,宁丹琳,果静林是一个融合现代科技、维度穿越、动作、喜剧、烧脑等流行元素的美剧式故事。宇宙万物，存在于不同的时间与空间中，称之为“时空”，各个时空彼此平行，永不交错，除非，在两个平行空间中，出现了两个完全吻合的断点...梦是什么?如果梦是时空中的平行线，那现实又是什么? 影片将于2016年2月26日在爱奇艺独家播映！
妖狐传
马倩倩,张竞达,王昭,朱利安周兴商灭时期，神都战神拓跋羽带回一个九霄灵狐，关押在府内。此后神都屡屡出现悬案，悬案中的死者均是神都极美的女子，神都城内人心惶惶。 为了平息此事，战神悬赏千两查找与案子相关的线索，降魔师主动请缨。降魔师的出现让真相逐渐浮出水面，大家在降魔师的引导下将目光放在了战神带回的女子小九身上，并大胆质疑小九是妖，全神都为之震动。战神带回的女子虽是九霄灵狐，但因其所吸人灵不足只算得上半妖。神都女子之死表面都出自她手而实际上都与她无关。 真凶其实是战神拓跋羽，九霄灵狐则是他最后一个猎杀对象，他杀四十九名美艳女子是为了集齐四十九个美艳女子的阴灵，然后与九霄灵狐的妖灵一同炼化使自己早日修成大成，不料最后被降魔师识破，战神无法继续隐藏，只能兔死狗烹与降魔师进行对抗，降魔师不敌败下阵来，眼看战神即将修成大成，降魔师携手九霄灵狐将拓跋羽治服。降魔师为使一方安宁，收走九霄灵狐一缕灵魄让别有用心之人无法借由九霄灵狐修害人之法术。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.