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西关大屋
娜仁花,邬靖靖,李琦广州末代西关小姐潘梦蝶,曾是一位绝代佳人,如今住在西关大屋中。在将近一个世纪的时间长河里,她坚守着自己的爱情,坚守着家族的秘密,坚守着属于她自己的祖屋……社区民警马思鹏是一位身手矫健、头脑聪颖、乐于助人的人民警察。他接到了一桩名为“代号西关小姐”的涉毒案件。在调查的过程中,马思鹏结识潘梦蝶及其后人叶伊西。随着案件的深入,许多不为人知的秘密随之解开,一场关于警民、亲情、血缘等复杂情感的生死较量即将展开……
真正的痛苦
杰西·艾森伯格,基南·卡尔金,福田知盛,詹妮弗·格雷,库尔特·埃贾万,丽莎·萨多威,丹尼尔·奥雷斯克斯,埃洛拉·托尔基亚,班纳·艾森伯格,彼得·查赫尼埃基,雅各布·贡索夫斯基,奥尔哈·博索瓦,克日什托夫·雅什查克,马雷克·卡斯普日克,雅各布·普鲁斯基为纪念逝世的奶奶,许久未见的堂兄弟大卫与班吉相约前往波兰参加导览团,也顺道探访奶奶的老家。一路上,班吉有话直说、率性风趣的性格迅速与同团人士拉近距离,令木讷拘谨的大卫既焦虑又羡慕,压抑已久的情绪日益沸腾。然而,随着旅途种种安排不断挑动班吉的敏感神经,他的狂放不羁似乎逐渐走向失序,大卫试图息事宁人,但内心的不安却席卷而来。这趟寻根之旅,能否解决彼此心底难以言说的痛楚?
恶人的道路
维尼·琼斯,克里斯蒂安·史莱特,Emily Tennant某座平凡小镇,彪悍恐武的警探约翰·伊利亚特(维尼·琼斯 Vinnie Jones 饰)和美丽善良的女儿海瑟(Emily Tennant 饰)生活在一起。某天一名酷酷的男孩来到海瑟的学校,他叫罗比·穆勒(杰克·克罗克 Jake Croker 饰),五年前曾和海瑟有过一面之缘,并且卷入了一场神秘恐怖的死亡时间。罗比似乎对海瑟颇有好感,但却因此惹恼追求这个女孩的格雷戈(Aren Buchholz 饰)。在一次争执中,五年前的恐怖一幕再度上演,格雷戈在没有任何人碰触他的情况下突然倒地,遭受重创。 不久后格雷戈伤愈出院,却死性不改,对罗比欲行不轨,最终在野外死于一场离奇的事故。约翰受命调查此案,种种疑点全部指向了神秘而阴森的罗比……
忍者龙剑传
难波圭一,冬马由美,若本规夫,乡里大辅,榊原良子,石冢运升,铃木沙织,浦和惠,里内信夫,增田有宏,川津泰彦,沼田祐介,内海秀雄,小川真司现代超忍继承龙之一族血统的隼流忍者龙隼(リュウ・ハヤブサ,Ryu Hayabusa)因其父亲被杀,而手持由龙牙削制成的龙剑(龙剣,Dragon Sword),踏上复仇之路,并最终消灭了邪鬼王和邪神。和邪鬼王宿命之战的一年后……龙之忍者——龙·隼面临着新的冒险。忍者龙剑传是日本TECMO公司所推出的系列游戏,并於多种平台发行,也是以超高难度见称的动作游戏。本片改编自FC平台的忍者龙剑传三部曲的第二部《忍者龙剣伝II ~暗黒の邪神剣~》
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
旺姆的夏天
旺卓措,久巴,卓杰泽仁,泽王拉姆,落周求吉尼玛该片根据编剧的童年经历进行创作。影片讲述女主旺姆在丈夫离世之后,秉持着传统,为了丈夫来世不需背负生前的债务,而接手丈夫生前巨额的债务替他还债,从而一步一步被生活逼到绝境的故事。