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今夜，就算这份爱恋从世界上消失2025
秋泳愚,申诗雅高中女生每天醒来时，都不记得昨天发生的事。她决定与一位拘谨的同学交往，面对每一天的崭新开始，两人的爱能顺利茁壮吗？
狄仁杰之彼岸奇花
陈浩民,尚娜,刘金,金宁,崔冬辰,陈宇星,刘威州狄武周天授元年，岭南潞州城司马孔成业迷恋修道炼丹，传闻找到了长生不老丹的药方，只缺一味名叫彼岸花的奇草。传言这是来自地狱的死亡之花，常年生长在坟冢幽谷之中，能致人产生幻觉，中幻觉者如妖邪附体般，发狂发癫，死状凄惨。 孔成业发出悬赏，采到彼岸花者，赏百金。山民猎户等纷纷进山寻找，连孔成业也带人到处扒坟冢、探幽谷。忙活的孔成业突然惨死，死前发狂。连他的几名参军也死相极惨，都说孔成业采到了彼岸花，被妖邪附身杀死，闹得满城风雨。潞州刺史陆英杰上报朝廷，恰逢狄仁杰巡查岭南诸州，女皇武则天命其前往潞州，全权调查此案.。
冰风暴
凯文·克莱恩,琼·艾伦,西格妮·韦弗,亨利·科泽尼,托比·马奎尔,克里斯蒂娜·里奇,伊利亚·伍德,亚当·汉拜德,大卫·克朗姆霍茨,杰米·谢尔丹,凯特·伯顿,威廉·凯恩,迈克尔·昆普斯蒂,玛雅·丹齐格,凯蒂·霍尔姆斯,艾莉森·詹尼1973年美国康涅狄格州，感恩节快要到来，一场冰风暴也即将到来。平凡乏味的家庭生活使中年夫妻厌倦，丈夫本•胡德（凯文•克莱恩饰）一直在引诱邻居珍妮特•哈珀，而妻子（琼•艾伦饰）对丈夫的谎言也早已不耐烦了。儿子保罗（托比•马奎尔饰）迷恋着学校里最有人缘的那位女生。女儿温迪（克里斯蒂娜•里奇）兴趣于电视里的水门事件听证会。 冰风暴的夜晚，夫妻两个去朋友家参加一个鸡尾酒会，鸡尾酒会的一个重要内容是进行换房间钥匙的游戏。在酒会结束后，每个妻子都可以和别家男人结成新欢。而他们儿子则赶去面对一场诱惑与考验，女儿正陶醉在同邻家男孩子的性游戏中……
棋盘上的向日葵电影版
坂口健太郎,渡边谦,佐佐木藏之介,土屋太凤,高杉真宙,音尾琢真,柄本明,渡边一计,尾上右近,木村多江,小日向文世改编自柚月裕子撰写的同名小说，讲述山中发现一具尸体，线索是将棋子，且是这个世界上仅存七枚的棋子。嫌疑人指向了上条圭介，一个突然出现在将棋界的天才，他在压倒职业将棋手后成为了风云人物。 在调查过程中，一个以赌棋为生的江湖人物东明重庆浮出水面，圭介神秘的成长经历也最终被揭开。那是难以想象的残酷历程……
反防御
莉诺·赞,莫里·柴金Two men and a woman circle the globe in a satellite armed with a nuclear device. The third world war breaks out, and a few months later the satellite crashes. They survive the crash but one man gets killed by survivors and the other man gets caught. The woman stays by the remains of the the satellite but is soon caught by evil punks who have taken power.
公寓2024
斯文·索奇塔,细田善彦,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.