乱伦：欲火围城
“在这个家里，辈分是锁，欲望是钥匙。艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan继女早已习惯了继父那双粗粝而强硬的大手，而儿媳则在公公那不容置绝的欢愉中彻底沦陷。在这道名为“家人”的围墙之下，一场无法言说的背德之恋悄然滋长。当伦理崩塌，剩下的只有最原始的渴望。
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甜蜜的家2025
姜恩彬,卢仙禧,朴秀彬突破二十五马赫
凯特·卡普肖,莉·汤普森,凯利·普雷斯顿,拉里·B·斯科特,华金·菲尼克斯,泰特·多诺万,汤姆·斯凯里特,巴里·普赖默斯抖擞
马克·沃尔伯格,保罗·沃尔特·豪泽,萨莎·拜伦·科恩,本杰明·布拉特,卢西亚诺·萨法尔,艾娃·德·多米尼奇,丹妮拉·曼希沃,莫莉·香侬,切尔茜·克里斯普,埃里克·安德烈,杰克森·托泽尔,亨利埃塔·阿梅沃尔,阿贝·法雷利,瑞恩·谢尔顿,娜塔丽·奥利维拉,提亚戈·莫拉斯,斯隆·费希尔,詹尼·德古拉,朱丽安娜·卡斯特罗,伊恩·阿达姆森生人活祭
艾米·西米茨,凯特·林恩·希尔,乔·斯万博格,AJ·鲍恩,Kentucker Audley杯酒人生
保罗·吉亚玛提,托马斯·哈登·丘奇,维吉妮娅·马德森,吴珊卓,玛丽路易丝·贝克,杰西卡·赫特,米茜·多蒂,迈克·康纳·盖尼,阿莱西娅·雷纳,谢可·图克马尼安,肖恩·杜克,罗伯特·科瓦吕比亚,派崔克·盖勒,斯蒂芬妮·法拉希,乔·马里内利,皮特·丹尼斯,菲尔·里夫斯,莱茜·雷劫途
莎蒂·卡茨,凯维·莱曼-默塞尤,奥吉·杜克,迈克·弗格森,迈克尔·帕尔,弗农·威尔斯,伊娃·哈密尔顿,兰迪·查奇,Dan Istrate,杰西卡·乌波拉佳 Jessica Uberuaga,David W. Bailey,Joe Barlam,Klaudia Kaye,Mario Daggett,Jon Castro,Michael Roccio,Markus Essien,Nick Goodreau,亚瑟·加贝同类推荐
昭和残侠传 唐狮子牡丹
高仓健,三田佳子,池部良,津川雅彦タイトル : 昭和残侠伝: 唐獅子牡丹（期間限定生産）（生産完了） 出演 : 高倉健／三田佳子／津川雅彦／池部良／芦田伸介／菅原謙二 監督 : 佐伯清 不始末をしでかした弟分を助けるために、花田秀次郎は左右田組の組頭の要求を飲み、榊組の組頭を手にかけた。法の裁きを受け服役した秀次郎は、3年後に出所を果たす。だがそこで秀次郎が目にしたのは、秀次郎の手によって組頭を失い、瀕死の状態に追いやられてしまった榊組の姿だった。左右田組の執拗な攻撃に耐えて組を守る未亡人の姿に心を打たれた秀次郎は、みずからの負い目もあって、榊組を助けることにするのだが…。 高倉健の代表作の一つである「昭和残侠伝」シリーズの2作目。渡世の義理ゆえに、心ならずも斬り倒した相手の未亡人に捧げる愛情と、敵対しつつも育まれていく男の友情を描いている。監督はシリーズの大半を手がけてきた佐伯清。若き日の高倉健が、渡世に生きるやくざを凄みたっぷりに演じている。榊組の美しき未亡人に扮するのは三田佳子。
多莉
法比娜·泰蕾兹,Russ Tiller,米夏琳娜·阿尔门多,Kate Cobb,伊桑·苏普利,西恩·威廉·斯科特,Max the Impaler玛西，一位年轻女子，被一个面目狰狞的怪物掳走，这个怪物一心要把她当作自己的孩子抚养长大。
来聊聊须绪美吧
长泽雅美,西岛秀俊,松坂桃李,濑户康史,远藤宪一,小林隆,坂东弥十郎,户塚纯贵,阿南健治,梶原善,宫泽艾玛三谷幸喜自编自导。大富豪的妻子须绪美突然失踪，在得知她失踪后，在丈夫居住的豪宅集结的是爱过她的5个男人。但是他们所说的须绪美，无论是外表还是性格，都像是换了一个人。那么，到底须绪美的真面目是什么呢？
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
心中的杀手
卡西·阿弗莱克,凯特·哈德森,杰西卡·阿尔芭,尼德·巴蒂,伊莱亚斯·科泰斯,汤姆·鲍尔,西蒙·贝克,比尔·普尔曼,布兰特·布里斯科,马修·马希尔,连姆·艾肯,杰·R.弗格森,布蕾克·林斯利,诺亚·克劳福德,凯特林·特纳,Rosa Pasquarella,Phillip Borghee,布雷特·鲍尔,Lori Lynne Cross,Drew Nixon20世纪40年代，美国某个依靠石油而发展起来的小镇。当地最大富豪彻斯特·康维（Ned Beatty 饰）的儿子艾尔姆（Jay R. Ferguson 饰）即将成婚，然而却有件事让彻斯特颇感烦恼。原来艾尔姆此前和妓女乔伊丝·雷克兰德（杰西卡•阿尔芭 Jessica Alba 饰）有染，为避免尴尬之事发生，彻斯特暗中授意警方驱逐乔伊丝，而小警察卢·福特（卡西·阿弗莱克 Casey Affleck 饰）成为了此项工作的具体执行者。卢表面内向顺从，内心却隐藏着不为人知的秘密。短短几周的相处，乔伊丝已然对他深深迷恋，不可自拔。谁知在最后关头，卢却对乔伊丝和艾尔姆痛下杀手，从此跌入万劫不复的黑色深渊中…… 本片根据吉姆·汤普森（Jim Thompson）的同名小说改编。