影片推荐
洛特DR1
Christian Kapper,Natalie Welch,Thomas E. Nicholson月亮中的亚马逊女人
阿瑟尼奥·豪尔,Donald F. Muhich,莫妮卡·加布里埃尔笔仙大战贞子
思雨,孙静雯,杨青霖,黄佳军,张冰倩,郑跃,雷鸣,袁国纲,张磊,曹云青,周以诺,冯惠,崔博涵体制2026
索娜什·辛哈,Jyotika,阿素托史·哥瓦力克夜逃屋本铺2
中村雅俊,高木美保,益岡徹,中島陽典,風間杜夫,松居一代,中山忍,余貴美子塘鹅暗杀令
朱莉娅·罗伯茨,丹泽尔·华盛顿,山姆·夏普德,约翰·赫德,托尼·戈德温,詹姆斯·希金,威廉·阿瑟东,罗伯特·考普,斯坦利·图齐,休姆·克罗宁,约翰·利思戈,安东尼·希尔德,尼古拉斯·伍德森,斯坦利·安德森,约翰·芬同类精选
王胜：紫色
王胜孔雀镇
基里安·墨菲,艾利奥特·佩吉,苏珊·萨兰登,比尔·普尔曼,乔什·卢卡斯,Paul Cram,Virginia Newcomb,Chris Carlson弗兰肯斯坦的新娘
Sev Philippou,Nick Launchbury,Vincent Donato小妇人2019
西尔莎·罗南,艾玛·沃森,弗洛伦丝·皮尤,伊莱扎·斯坎伦,劳拉·邓恩,提莫西·查拉梅,梅丽尔·斯特里普,鲍勃·奥登科克,詹姆斯·诺顿,路易·加瑞尔,克里斯·库珀,崔西·莱茨,艾比·奎因,萨莎·弗罗洛娃,莉莉·恩格勒特,爱德华德·弗莱彻,杰妮·霍蒂谢尔,多梅尼克·阿尔迪诺,汤姆·斯特拉特福,托马斯·马里亚诺,哈德莉·罗宾逊,杰米·加扎里安惊声尖叫7
内芙·坎贝尔,伊莎贝尔·梅,柯特妮·考克斯,梅森·古丁,贾思敏·萨沃伊·布朗,大卫·阿奎特,马修·里沃德,斯科特·弗利,塞莱斯特·奥康纳,阿萨·格尔曼,麦肯娜·格瑞丝,萨姆·雷希纳,米歇尔·兰道夫,吉米·塔特罗,安娜·坎普,乔尔·麦克哈尔,马克·康苏斯,伊桑·恩布里,维克托·特平,Scott Allen Frederick,艾米·彭伯顿,Josh Thrower,Cyle Winters,罗格·杰克逊狂犬病1977
玛丽琳·钱伯斯,弗兰克·穆尔,乔·西尔弗,霍华德·雷什潘,帕特丽夏·盖奇,苏珊·罗曼,Roger Periard,Lynne Deragon,Terry Schonblum,Victor Désy,Julie Anna,Gary McKeehan,Terence G. Ross,米格尔·费尔南德斯,Robert O'Ree,艾伦·莫伊尔,Malcolm Nelthorpe,瓦拉斯塔·瓦拉纳,彼得·麦克内尔,Una Kay,Robert A. Silverman,Isabelle影视排行
阿勒泰之歌
阿依波塔·杰恩斯,银珠·木拿里别克,海拉提·哈木,张大磊,张雅玫,达列力汗·哈德尔,阿来·阿依达尔汗,叶尔那尔·俄合拉斯别克,阿力木江·吐尔斯拜克,丽娜·夏侃,阿依江·赛力克,达布力·黑巴提,库力加孜拉·比亚地本片由《阿利亚的吉尔巴拉》《风的约定》《别时青青》《那时我还小》《古丽娜的枕头》五部短片组成，故事聚焦阿勒泰普通人的平凡生活……
金刚不坏2024
乔杉,柳岩,梁龙,孙阳,杨新鸣,桑平,刘长纯,代乐乐金刚回到了自己曾经生活的地方，然而一切早已物是人非。这时，一起拐卖儿童的事件意外发生，金刚以一个局外人的身份开始寻找被拐的女孩，在这个过程中他的过往也依旧在纠缠着他…… 金刚将不得不面对自己最不愿意正视的伤痛……
谍杀风暴
马里奥·卡萨斯,玛蕾拉·嘉里加,路易斯·扎赫拉,诺拉·纳瓦斯,丹尼·德拉托雷,克里斯蒂安·塔潘,尼薇·德·曼迪娜,克丽丝蒂娜·乌玛尼亚,里卡多·德巴雷罗,Luisa Vides,Fabián Aguilar,Sarah Cafaro,Miguel Brocca,Luis Carlos Babestas,Noa Badía,Jhonathan Saenz,皮拉尔·戈麦斯,Roberto Mateos,Alejandro Vergara,巴勃罗·阿尔瓦雷斯四名前西班牙特工在全球不同地点同时遇刺。西班牙国家情报中心发现，数十年前他们都在哥伦比亚参与了秘密的谢纳加行动。西班牙国家情报中心最出色的特工泽塔必须追查并保护唯一的幸存者，这将是他迄今为止最危险的全球任务。哥伦比亚顶级特工阿尔法将与泽塔并肩行动，而她似乎比他更了解谢纳加行动背后的秘密。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.