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有情感的机器人
巴莱特·奥利佛,玛丽·贝丝·赫特,迈克尔·麦基恩,Kathryn Walker精灵宝可梦：决战时空之塔帝牙卢卡VS帕路奇犽VS达克莱伊
松本梨香,大谷育江,上田祐司,丰口惠美,小樱悦子,林原惠美,三木真一郎,犬山犬子,铃鹿千春,能登麻美子,井上喜久子,三宅健太,伊东美弥子,西村千奈美,川上伦子,阪口大助,小西克幸,古岛清孝,石冢运升,佐藤智惠,仁科洋平,传坂勉,逢坂力,座光寺知幸,佐佐木日菜子,植竹香菜,中塚玲,寺谷美香,西优子,三浦博和,相马幸人,中西英树,山本耕史,加藤罗莎,秋山龙次,马场裕之,山本博,中川翔子,石坂浩二,山寺宏一忘我星途
Vino G. Bastian,迪娅·潘德拉,Agus Kuncoro恐怖列车
索拉·伯奇,吉迪恩·埃默里,卡凡·瑞斯,Derek Magyar,格罗瑞亚·沃特西斯,Todd Jensen,Vladimir Vladimirov黑色城堡
Evgeniy Shvarts,维罗妮卡·乌斯蒂莫娃,叶夫根尼·斯迪查金,琳达·拉宾什,阿纳斯塔西娅·克拉索夫斯卡娅,Aleksandr Girenok彼岸2025
瑟比耶·比赫缇娅,弗雷德·赫辛格,Alicher Adill,伊丽努尔·艾尔肯,Erden Uyghur,Esther Chen,Celine Cheung,杰西卡·马,Whitney Chi,Winnie Guo,Ella Rouwen Chen,加布里埃尔·弗曼,Joshua De Jesus,Divina Ito,Justin Cotta,Jasmin Richardson,Tien-Li Wu,熊琳,玛瑞娜·卡贝洛,Austin Owens Kelly同类推荐
毛骨悚然撞鬼经 2022夏季特别篇
稻垣吾郎,神尾枫珠,山下美月,小野花梨,佐佐木明希,铃木优华,岩田刚典,梶原善,大友花恋,田中美佐子,千原靖史,高城蕾妮,百田夏菜子,玉井诗织,佐佐木彩夏
围困
尤里·索洛明,叶甫盖尼·列别杰夫,伊琳娜·阿库洛娃,列夫·佐洛图欣,弗拉季斯拉夫·斯特尔热利奇克,亚历山大·拉辛,鲍里斯·戈尔巴托夫,谢尔盖·哈钦科,丹尼尔·萨加尔,Vasiliy Minin,Valentin Abramov,Anatoliy Verbitskiy,米哈伊尔·乌里扬诺夫,Roman Gromadsky,Konstantin Malakhov,Stanislav Fesyunov,Yuri Maltsev,Aleksandr Afanasev,Vladimiras Lido,Yuri Ku该片讲述了伟大卫国战争期间列宁格勒遭受德寇围困的九百天，列宁格勒军民克服种种令人难以置信的困难--饥饿，轰炸，疾病，寒冷——保卫了这座“英雄城”并最终打破了德寇的围困的故事。
召唤蓝宝宝
瓦莱丽亚·圣马丁,贾斯蒂娜·塞瓦略斯,丹妮拉·弗洛姆鲍姆校园里的一场大冒险演变成了都市传说。当青少年们召唤“蓝宝宝”时，某种东西回应了他们。这场游戏蔓延开来，留下的是悲伤和私语。阻止它意味着要面对第一次召唤，以及被召唤的代价。
二狗返乡记
马灿灿,李栋,胡双全,柳秉钰,梁栋,陶源品性憨直，风趣幽默，农村吃百家饭长大的孤儿石二狗，在城市打工意外获得彩票大奖五百万，之后，他风风火火的回到老家，借着酒劲给乡亲们发钱，并且还想凭这五百万娶村长的女儿石金凤，但是却遭到石金凤的嘲笑，于是他发奋要为老家人民做点大事——修路，将修路的工程包给了金凤城里的男朋友胡大光，以这样显示他的大度并期望博得金凤的欢喜，可是却由于经验的缺失和文化知识的不足，被胡大光给蒙混了，手上的钱都让胡大光骗走了，连答应给村里修小学的钱也被骗的一光二净，二狗又成了一个身无分文的穷光蛋。 二狗有钱的时候，在众多人中招聘了韩美华作为村里学校的老师，现在二狗没钱了，本以为韩美华会离开石头村，但是由于二狗的善良和执着，早已深深的打动了美丽聪明的城里女孩韩美华。韩美华利用自己的经验和智慧联手以前一直瞧不起二狗的村民们，为二狗打赢了官司。最后在韩美华的指引和村民们的帮助下，石二狗凭借自己坚韧的毅力，白手起家，带领百姓发家致富开创了崭新的事业。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster