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月兔迷情lara坠入凡间耐不住寂寞求收留_
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临租家庭
布兰登·费舍,平岳大,山本真理,香农·戈尔曼,柄本明,尼希,古川雁,金隆夫,小松裕司,长田凉子,保罗·安德里亚·迪·皮耶特罗,木村文哉,龟田梨纱,加奈·凯蒂,尾关伸嗣,筱崎志乃,楚南勇真命运之书
迈克.梅尔斯,斯宾塞.布莱斯林玛丽和麦克斯
托妮·科莱特,菲利普·塞默·霍夫曼,巴瑞·哈姆弗莱斯,艾瑞克·巴纳,贝塔尼·维特莫尔,蕾妮·盖耶,伊恩·莫利·梅尔德伦,朱莉·福塞斯,约翰·弗劳思,克里斯托弗·马西,卡罗琳·莎士比亚-艾伦,琳恩·史密斯,迈克尔·延纳突破二十五马赫
凯特·卡普肖,莉·汤普森,凯利·普雷斯顿,拉里·B·斯科特,华金·菲尼克斯,泰特·多诺万,汤姆·斯凯里特,巴里·普赖默斯阿特拉斯耸耸肩
泰勒·席林,保罗·约翰逊,格兰特·鲍尔,贾苏·加西亚,马修·马斯登,Rebecca Wisocky阿提克斯研究所
莱亚·吉斯特德,威廉·麦鲍瑟,莎朗·摩翰,约翰·鲁宾斯坦,Hannah Cowley,Rob Kerkovich,杰拉尔德·麦卡洛克,Trisha Rae Stahl,朱丽安·阿科斯塔,Anton Narinskiy,阿隆·克拉文,安妮·贝坦克特,Karen E. Wright,Erich Lane,Brian Chenoweth导演精选
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
时间之外的故乡
大二在读的安小河，因高利贷等事遭到“追杀”，30岁画家康梅梅因接到“病危”通知，两人先后“逃”回到恒河边的家乡，与在村里梦想有一天能在河里找到传说中金碗的农民康大恒在争吵和交往中，安小河对康梅梅产生了不一样的情愫，父女多年的隔阂也冰释前嫌。
冷光中
出狱后的艾娃试图重新开始，却被哥哥卷回毒品交易。警方设局致哥哥身亡，她再度逃亡。好友遇害、父亲背叛、亲情撕裂下，艾娃铤而走险，与毒枭交易并清除叛徒，最终再次入狱。