美女脱光光给你包饺子好香好好吃

黄金七令之罗刹风云

任子豪,何雨宸,李子雄,李家辛,徐俊,谢昌定,朱翔,曹忆,钱婧睿,张宸彬,高迦澜,曾庆生,范奇

　　《七令诡事录》是由徐俊、高悟翔执导，任子豪、何雨宸、李家辛、袁祥仁，徐俊、 领衔主演，刘硕、张宸彬、朱翔、胡建伟、李平安、钱婧睿、曹忆等出演的惊悚、悬疑、恐怖片。　　该片讲述江湖豪侠薛氏兄妹，薛小风和薛小花被人陷害被卷入掏心惨案中，随着黄金七令浮出水面，薛氏兄妹联手警察局总探长段广龙，将黄金七令背后的秘密一层层揭开。

恶战2025

Alfredo Cleto Batista,Carl Bruchhäuser,Holger Ebert

活到最後才有繼承權資格…背叛、猜疑和貪婪交織！一場災難性的運鈔行動後，三噸貨物運抵目的地，但所有現金卻不翼而飛，幫派內部一片混亂。老大身亡，死於內部背叛和謀殺，幫派的得力幹將克萊奧挺身而出，誓要揭開真相，隨著真相逐漸浮出水面，一張由背叛、猜疑和貪婪交織而成的錯綜複雜的網也隨之浮現。

韩国制造的我

普里扬卡·阿鲁莫汉,朴惠珍

一位来自泰米尔纳德邦小镇的女子移居梦寐以求的韩国，却难以在异国他乡站稳脚跟。

精武陈真：租界风云

陈国坤,吕艳蓓,王宏哲,马群雄,张姝阳,孙盈艺,张永华,阿诺

1911年，陈真为师父霍元甲报仇后投身革命加入中国同盟会，受托调查军阀与日本在天津租界的勾结。在执行任务遭伏击、同伴中毒的险境中，陈真与一度为敌的武人郑邵远从对决到联手，最终陈真在租界内与日谍头目决一死战，揭穿阴谋，公之于众。

养鬼吃人6：死亡代码

迪恩·文特斯,Ashley Laurence,Doug Bradley

　　在"猛鬼追魂"系列的第5集中， 手拿魔方，以"制造悲伤"著称， 有魔力的Pinhead(道格·布拉德利)已经返回，准备再次用他的大批的Cenobites给地球上的人们带来地狱般的恶梦、折磨和死亡。 但是Kirsty科顿·(阿什利·劳伦斯)， 唯一已经战胜二次Pinhead的人，回来，准备再一次跟Pinhead 和Cenobites作战。

西区故事

安塞尔·艾尔高特,瑞秋·齐格勒,阿丽亚娜·德博斯,大卫·阿尔瓦雷茨,迈克·费斯特,寇瑞·斯托尔,布莱恩·达西·詹姆斯,丽塔·莫雷诺,寇蒂斯·库克,凯文·科索拉克,麦迪·齐格勒,朱利叶斯·卢比奥,杰米·哈里斯,阿蒂夫·拉尼尔,何塞·拉蒙·罗萨里奥,克丽丝·怀特赫德,凯尔·艾伦,塔莉娅·莱德,贝尔·迈克尔斯 ,哈维·埃文斯,戴维·比恩,凯尔·休斯,基思·勒克里德·哈里斯

 电影改编自1957年的百老汇音乐剧，讲述了20世纪50年代纽约街头的“喷气机帮(Jet)”和 “鲨鱼帮(Sharks)”之间的争斗，以及分属不同帮派的“苦命鸳鸯”托尼（安塞尔·埃尔格特 饰）和玛丽亚（瑞秋·齐格勒 饰）的爱情。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.