女老板也喜欢这样玩放开那个女孩

4.4 播放:82万 2026-05-27
主演: 未知/

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八棺索财

喻恩泰,曹鹤阳,苏濛濛

  一个商业酒店因为三起离奇死亡案件被社会各界所关注,一时间流言四起,有人说这是蓄意谋杀,也有人认为纯属意外,甚至网络上有神人称酒店施工曾挖出八具棺材,地形暗合了一个叫“八棺索财”的道家阵法。记者苏莉、女网红与其老公陈宇天,两拨看似不相干的人组成奇葩小分队,一起走进诡异酒店,等着他们的,是福还是祸?

多浪迪总统

卡洛斯·阿雷塞斯,加维诺·迭戈,费尔南多·艾斯特索

 A satirical comedy that pokes fun at Spanish social and political stereotypes, featuring parodies of real events and special guest appearances from the political sphere.

蒙上你的眼:逃出巴塞罗那

乔治娜·坎贝尔,马里奥·卡萨斯,迭戈·卡尔瓦,米歇尔·珍娜,莱昂纳多·斯巴拉格利亚,洛拉·杜埃尼亚斯,帕特里克·克里亚多,Alejandra Howard,西莉亚·费杰罗,Naila Schuberth,冈扎洛·德·卡斯特,Manel Llunell,米洛·塔波阿达,Brian Lehane,Gerard Oms

  《蒙上你的眼:逃出巴塞罗那》由《蒙上你的眼》的制作人倾情打造,是 2018 年备受观众青睐的热门电影的衍生作品。在一股神秘力量使世界人口大量减少之后,塞巴斯蒂安必须在巴塞罗那荒凉的街道上展开自己的求生之旅。当他与其他幸存者结成不稳定的联盟,并试图逃离这座城市时,一个意想不到、甚至更加险恶的威胁正在增长。

金谍行动

杰克·吉伦哈尔,亨利·卡维尔,裴淳华,艾莎·冈萨雷斯,费舍·史蒂芬斯, 埃米特·J·斯坎伦,克里斯托弗·海维尤,科乔·阿塔,克里斯蒂安·奥乔亚·拉维尼亚,穆罕默德·阿勒·图尔基,杰森·王,卡洛斯·巴登,科里·道格拉斯·坎贝尔,拉娜·阿拉慕丁,贡萨洛·博乌萨,卡洛斯·克劳曼斯莫勒,西尔维娅·纳瓦尔,阿尔韦萨姆·希格达尔,阿列克谢·丘纳耶夫

 金融公司遭十亿恶意贷款,首次讨要无果后,讨债公司老板瑞秋挺身而出。她集结布朗克和席德组成一支精英小队,成功夺取硬盘数据,锁定债主曼尼的隐秘资产。随后,小队展开一连串精密操作,曼尼的资产帝国被迫冻结,而曼尼也终于现身谈判同意还钱。但当曼尼付清了债款,金融公司却迟迟未将曼尼的资产归还,气急败坏的曼尼将瑞秋擒获试图进行要挟。精英小队是否能成功将瑞秋救出,而曼尼又将受到怎样的恐怖惩罚呢?

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

疯狂的八人帮

迪娜·迈耶,乔治·纽伯恩,奇希·劳尔兹,Dan DeLuca,弗兰克·威利

  因童年的玩伴去世,贝丝·潘特森(Gabrielle Anwar 饰)、布莱特·塞克斯(富兰克·威利 Frank Whaley 饰)、珍妮弗·琼斯(迪娜·梅尔 Dina Meyer 饰)、莱尔·戴伊(George Newbern 饰)、金娜·康特(翠希·罗兹 Traci Lords 饰)和韦恩·默瑞森(Dan DeLuca 饰)等6名好友重新聚首。他们曾在一所阴森的孤儿院内长大,并共同拥有着难以忘怀的恐怖回忆。他们在故友的书房内发现留给他们的遗书和地图,按照上面的指示众人来至一处偏僻所在,却在地图标注的地点找到一具高度腐烂的儿童尸体。  惶恐的众人驱车逃离,然而迷失了来路,最终找到一幢废弃空荡的白色别墅落脚。至此,童年的秘密慢慢揭开,死神的脚步声也越来越近……