查泰莱夫人之风华绝代

★ 8.0 播放:37万 更新:2026-05-23

新查泰莱夫人暂无内容Cynthia,感到自己被丈夫忽视。在他外出时,便想找她的园丁暂无内容Thomas暂无内容取乐,但总是被新的来访者打断。她其中一个来客是一位教授,希望来她的地里做研究。他心情很低落,不过暂无内容Cynthia暂无内容知道如何让他愉快起来........

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剧情简介

新查泰莱夫人暂无内容Cynthia,感到自己被丈夫忽视。在他外出时,便想找她的园丁暂无内容Thomas暂无内容取乐,但总是被新的来访者打断。她其中一个来客是一位教授,希望来她的地里做研究。他心情很低落,不过暂无内容Cynthia暂无内容知道如何让他愉快起来........

导演精选

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

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