我朋友的妈妈
单身妈妈Momiji独自抚养着她的女儿,然后将她送往该省的大学。她独自一人在东京,似乎很珍惜自己的时间我不时更换爱人,一起生活。然而,男人们正在接近年轻而性感的妈妈Momiji。在她的手中,娴熟细腻越来越多的男人爱上她艾旦影视
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剧情提要
单身妈妈Momiji独自抚养着她的女儿,然后将她送往该省的大学。她独自一人在东京,似乎很珍惜自己的时间我不时更换爱人,一起生活。然而,男人们正在接近年轻而性感的妈妈Momiji。在她的手中,娴熟细腻越来越多的男人爱上她艾旦影视
暗夜精选
不被爱也没关系
南沙良,马场富美加,本田望结,基俊介,河井青叶,伊岛空,池津祥子镜中人
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泰勒·汤姆林森绵羊侦探团
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杨千嬅,陈奕迅,郑裕玲,曾志伟,黎耀祥,何超仪成人生活技能
朱迪·惠特克,爱德华·霍格,爱丽丝·洛维,布雷特·戈尔茨坦,Rachael Deering,洛琳·艾什本,伊莲恩·戴维斯同系列推荐
重庆森林
林青霞,金城武,梁朝伟,王菲,周嘉玲细骨小屋
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Chris Cavalier,Melissa Daddio,西恩·迈克尔·格洛里亚,Jason Henne,Rhyssa-Kathryn Marie,Jovanni Mazzaferro,Lisa Mcconnell,Madeleine Murphy,Kierney Nelson,Stephanie Town,Gail Yost普通事故
瓦希德·穆巴谢里,玛丽亚姆·阿夫沙里,艾卜拉希姆·阿兹兹,哈迪斯·帕克巴滕,马吉德·帕纳西,穆罕默德·阿里·艾利亚斯梅尔,德尔玛兹·纳加菲,阿菲桑内·纳姆巴蒂,乔治·哈什姆扎德,莉安娜·阿兹兹菲多莉
法比娜·泰蕾兹,Russ Tiller,米夏琳娜·阿尔门多,Kate Cobb,伊桑·苏普利,西恩·威廉·斯科特,Max the Impaler杰莎贝尔
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13个日夜
在塔利班接管喀布尔期间,阿富汗军队守卫着法国大使馆。他们肩负着在混乱中疏散500人至机场的任务,在试图绝望逃离这座正在沦陷的城市时,面临着巨大的风险。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.