嬢王夜曲姉妹キャバ嬢SEX対決

1.2 播放:50万 更新:2026-05-25
主演: 山内大辅/

キャバクラ『Club Grace』のNo,2未知瑠(蓮実クレア)は、天性の美貌とベッドテク、そして店長の淳也からの寵愛を武器に、No.1の高みへと近づきつつあった。ある日そんな彼女の元に、男の獲り合いから絶縁状態になっていた妹、燐が家出して転がり込んできた。燐の中に未知瑠に劣らない“嬢王"としての才能を見出した淳也は彼女を夜の世界に誘い、また時を同じくして未知瑠もある事件のために店に出ることが出来なくなってしまう。姉の跡を継ぐかのように“嬢王"への階段を昇っていく燐と嫉妬に狂っていく未知瑠。美しき姉妹の愛とSEXが絡み合う壮絶なドラマが、ギラギラ輝くネオンの下で始まろうとしていた艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan

播放通道

详细简介

キャバクラ『Club Grace』のNo,2未知瑠(蓮実クレア)は、天性の美貌とベッドテク、そして店長の淳也からの寵愛を武器に、No.1の高みへと近づきつつあった。ある日そんな彼女の元に、男の獲り合いから絶縁状態になっていた妹、燐が家出して転がり込んできた。燐の中に未知瑠に劣らない“嬢王"としての才能を見出した淳也は彼女を夜の世界に誘い、また時を同じくして未知瑠もある事件のために店に出ることが出来なくなってしまう。姉の跡を継ぐかのように“嬢王"への階段を昇っていく燐と嫉妬に狂っていく未知瑠。美しき姉妹の愛とSEXが絡み合う壮絶なドラマが、ギラギラ輝くネオンの下で始まろうとしていた艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan

同类推荐

明明不是我!

阿部宽

影片改编自浅仓秋成创作的同名小说,讲述了一个在社交媒体上,毫无根据的信息被视为“真相”,并逐渐演变成重大事件的现代冤案恐怖故事。阿部宽饰演的主角是大型住宅建材公司的营业部长山县泰介,有一天突然在社交媒体上被指认为“杀人事件的凶手”,个人信息被曝光。虽然完全无辜,却被社会追捕、陷入“网络风暴”之中,不得不逃亡。

东京少女

夏帆,佐野和真,近藤芳正,秋本奈绪美,福永真梨佳

  《东京少年》的姊妹篇,同样以“无法有结果的恋情”为主题。  2008年的东京少女未步(夏帆 饰)的梦想是成为一名奇幻小说家,这天和母亲以及母亲的情人在餐厅用餐,对母亲准备再婚一事十分排斥的未步愤而离席。  1912年,宫田时次郎(佐野和真 饰)再次被夏目漱石退稿,缺乏生活经验的他写作出来的小说缺乏打动人心的力量。他沮丧地拿着退稿离开出版社。  突然发生地震,站立不稳的未步失手掉了手机,从楼梯坠入连接过去与未来的虫洞,被时次郎拾得。  不可思议地,相隔几近一百年的两个人,由误会到了解,渐渐情愫暗生,彼此倾诉生活中遭遇的问题,还异时空约会。但是身处未来的未步总是知道历史的发生,而当她想改变时,却发现一切只是无能为力。但是即便不能改变命运,也仍有真爱留低。

神来电

尼古洛·格维尼阿什维利,尼卡·贡加泽

  年轻的贡嘎和他的表弟巴特在一个废品场里意外发现了一个装满生锈十字架的手提箱。巴特灵机一动,决定将这些十字架改造成霓虹十字架,并逐户向第比利斯的居民推销。他们在城市郊区的漫游因此变成了一场寻找爱情与友情的冒险。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

荒岛大逃亡

刘乐妍,张文骏,颜瑜又,杨寒

 4个单身青年被邀请到孤岛之上开始毕业旅行,上岛之后却不料被当做“猎狼”俱乐部成员的“猎捕”对象,一次惊险的逃亡与反抗之旅在猎物与猎人之间悄然展开。