人间炼狱之淫間道
神探、卧底、俏娇娃，献身、卖y-、跟大佬。男的，斗志斗力，痛苦万分；女的，为求完成任务，彻底开放，痛不欲生。鉴于香港近曰y-风大盛，警方决定派出三名女卧底，决将卖y-主脑绳之于法。三名卧底经过严格的特训，一号卧底Bo Bo被派往接近主脑，更成为他的情妇，套取情报，卧底二号莎莎则混入卖y-集团更成为红牌亚姑，卧底三号则在警队大放生电，目的是在警队中找出内鬼，最后她们终于成功完成了任务，但前途就各有各选择
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母亲的皮下
安吉莉·芭雅妮,Beauty Gonzalez,贾丝敏·柯提斯-史密斯阴阳镜
淮文,邓靖弘 Jinghong Deng,江莱,张跃滨,曾广泉,司珂华,肖沅希,王军,李荣博穿越者之异梦空间
马文强,宁丹琳,果静林电子云层下
梅拉布·尼尼泽,丘尔潘·哈马托娃,拉米尔·萨尔霍乌德诺夫,卡里姆·帕卡什科夫,阿纳斯塔西娅·梅利尼科娃,彼得·戈萨沃斯基,路易斯·弗兰克,维克托·博科夫,维多利亚··科如托科娃太空生活
罗伯特·帕丁森,朱丽叶·比诺什,安德雷·本杰明,米娅·高斯,阿加塔·布泽克,拉斯·艾丁格,克莱尔·陈,伊万·米切尔,格洛里亚·奥比安约,斯嘉丽·林赛,杰西·罗斯,维克多·班纳杰,Juliette Picollot,Mikolaj Gruss,Weronika Wachowska婚前脱单快乐
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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.