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绪形直人,王祖贤,哀川翔,丹波哲郎,坂上忍,小野贤章导火线2025
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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
吸血猎手
科里·费尔德曼,马尔科姆·麦克道威尔,鲁格·豪尔,布鲁斯·戴维森,迪恩·S·贾格尔,Richard Wagner,费尔南达·罗梅罗,Patrick Brennan,Chris Pardal,托马斯·琼斯,Lovake Heyer,金贝里·皮特森,Elizabeth Greer,霍莉·林奇,考特尼·盖恩斯,萨姆·鲁克,Clementine Heath, 金佰利·道格尔迪,Shafik N. BahouA rogue police detective in search of his parents killer is murdered and reborn the ultimate killer.
捏造贝多芬
山田裕贵,古田新太,染谷将太,神尾枫珠,前田旺志郎,小泽征悦,生濑胜久,小手伸也,野间口彻,远藤宪一,藤泽凉架,新原泰佑,前原瑞树,堀井新太,坪仓由幸,西田尚美,市川纱椰,安井顺平,泉泽祐希,前野朋哉本片改编自同名小说。贝多芬（古田新太 饰），众人心中的孤高天才，原来竟是秘书一手捏造的“神话”？本片揭开历史迷雾，讲述一个粗俗邋遢的真实贝多芬，如何在忠实秘书辛德勒（山田裕贵 饰）的笔下，被改写成永垂不朽的圣人音乐家。
母亲2009
金惠子,元斌,晋久,尹宰文,全美善,宋清晨,千玗嬉,郑煐禥,高圭弼,李美度,朴明申,李姃垠因为儿子尹泰宇（元斌 饰）是智障，所以母亲（金惠子 饰）总是担心他受伤。一天，泰宇被一辆奔驰车撞倒，朋友镇泰（秦久 饰）带他去高尔夫球场找打球的教授报仇，结果被带回了警局。因为镇泰踢坏了后视镜，教授向他们索赔，泰宇被当成了挡箭牌。 从警局出来后，在家吃过晚饭，泰宇去找镇泰喝酒，但此时镇泰趁着夜色回到球场找出了白天扔进湖中的球杆。泰宇酒后尾随一个名叫文雅中的女学生，结果第二天雅中的尸体就出现在屋顶。泰宇被当做唯一的嫌疑人带回了警局，接着在警察的威胁下画押认罪。得知儿子入狱，心急如焚的母亲委托著名律师为他翻案。但是，泰宇的病影响了他的记忆，母亲在替儿申冤的道路上步履蹒跚……