危险的愉悦

一群有组织地前往里斯本的游客在第一天早上其中一人被杀后，发现自己正在调查一起谋杀案。当他们参观美丽的里斯本景点时，开始在人群中寻找凶手。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

 お父さん世代が子どもの頃に熱中した遊び＜ベーゴマ＞がより複雑に進化し、エンタテインメント性とバトル性をアップさせた新世代ベーゴマ＜ベイブレード＞をフィーチャーした人気ＴＶアニメ「爆転シュート　ベイブレード」の劇場版。ベイブレード日本一に輝いたタカオの前に新たなチャレンジャーが出現、壮絶なバトルが展開する。ベイブレード日本選手権大会に参加したタカオとドラグーンは仲間たちの声援を受け、激闘の末見事日本一に輝いた。しかし、喜びの表彰式の最中に新たなチャレンジャーが現われタカオに挑戦を申し込む。チャレンジャーの名は皇大地（すめらぎだいち）。彼は“ガイアドラグーン”を手に日本一の座を賭けタカオに挑む。ドラグーンｖｓガイアドラグーン。２つのベイがスタジアムで激しく火花を散らし、ぶつかり合う。だが、その戦いが、遠い昔に封印された闇の力を古代遺跡から呼び覚す引き金となってしまう。平和な街に悪夢の力が襲い掛かる……。

 金融公司遭十亿恶意贷款，首次讨要无果后，讨债公司老板瑞秋挺身而出。她集结布朗克和席德组成一支精英小队，成功夺取硬盘数据，锁定债主曼尼的隐秘资产。随后，小队展开一连串精密操作，曼尼的资产帝国被迫冻结，而曼尼也终于现身谈判同意还钱。但当曼尼付清了债款，金融公司却迟迟未将曼尼的资产归还，气急败坏的曼尼将瑞秋擒获试图进行要挟。精英小队是否能成功将瑞秋救出，而曼尼又将受到怎样的恐怖惩罚呢？