女机械人

我的曼啊：2025圣诞特别篇

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

调平

 以纯AI影像讲述新疆乡村故事，用一张台球桌、半张老照片，写透技术与乡土、完美与真实、时代与个体的温柔碰撞 ——真正的调平，不是抹平一切，而是让每段带褶皱的生命，都有自己的节奏。

戒灵

顾泓渊身负储物戒指枷锁，伪装废柴在云道峰隐忍修炼。被迫指导小师妹唐柠，却意外卷入秘境之争。玄天派结盟白黎、语笙，为灵石与混元契踏入险地。秘境中智破八门金锁阵，助唐柠领剑意。面对复苏的狂暴白泽，他打破戒指枷锁突破元婴，与师兄漠儒枫合力将其封印。携混元契归来后稳固修为，眼神暗藏锋芒，新的冒险已然开启，而壁画深处渗出的黑暗气息，预示着更大危机正在酝酿

禁地大战

　　三个女人所驾驶的宇宙飞船发生问题，紧急降落在银河系中一个名为「大地11号」的星球上，没想到，该星球受到致命疾病肆虐，三个女人因此被当地的独裁者麦纳布（莫利.林沃德 饰）挟持。此时，「宇宙 猎人 」渥夫（彼得.史特罗斯 饰）驾驶着他的救援船展开行动，一路上他碰到了许多危急的状况，还好都在 千钧一发 之际安全脱身。随着危机 一一 的化解，渥夫与独裁者麦纳布面对面的时刻越来越接近......他是否能对抗这群邪恶的外星小怪物，将三名美女从禁地星球中救出来呢？此片不但有紧凑的动作场面、独特的场景设计、创意十足的声音特效，3D三维效果更使其生动逼真......

局外人2025

1930年代的阿尔及利亚，冷漠的法国人默尔索对生命彻底漠然。他的情感疏离最终导致一场谋杀，随后的审判不仅审视罪行，更拷问其灵魂。改编自加缪小说《局外人》。