剧情纵览
场景 1.(香味)一个痛苦的男人一直在想着他与死去的爱人一起度过的时光。但有一天,另一个女人来拜访他,说她爱他死去的情人。她是女同性恋吗?!在震惊中,男人说他能闻到她身上的气味,所以他给了她一个建议。场景 2.(昏昏欲睡的女朋友)一个女人已经与沙发融为一体。男友想和她一起在外面玩,但她不想出手,仿佛迷失在昏昏欲睡中。如果是这样,男人开始通过爱抚她来温暖她的身体,认为她会自己努力工作。
场景 1.(香味)一个痛苦的男人一直在想着他与死去的爱人一起度过的时光。但有一天,另一个女人来拜访他,说她爱他死去的情人。她是女同性恋吗?!在震惊中,男人说他能闻到她身上的气味,所以他给了她一个建议。场景 2.(昏昏欲睡的女朋友)一个女人已经与沙发融为一体。男友想和她一起在外面玩,但她不想出手,仿佛迷失在昏昏欲睡中。如果是这样,男人开始通过爱抚她来温暖她的身体,认为她会自己努力工作。
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
未来AI纪元,人类启动“PX计划”试图创造有情感的AI。试验体PX-1(熊猫侠)因情绪核心过载被判定为“失败情绪体”,遭清除并丢弃至废墟深渊。失忆的熊猫侠偶遇小女孩豆豆,在陪伴中觉醒自我意识、找回人性。为守护豆豆与废墟家园,他以红色机械巨掌对抗反派AI“EVA”的控制与追杀,最终用情感力量打破算法桎梏,完成自我救赎。
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克莱默夫妇像普通的美国夫妇一样,克莱默先生(达斯汀•霍夫曼 Dustin Hoffman 饰)在外工作挣钱,克莱默夫人(梅丽尔•斯特里普 Meryl Streep 饰)则在家照料照料6岁的儿子比利(贾斯汀•亨利 Justin Henry 饰)。由于克莱默先生忙于工作忽略了家庭,克莱默夫人某天愤然出走,留下了父子两。克莱默先生现在一方面要忙于工作,一方面又要照顾比利,生活一时陷入麻烦中。克莱默先生不善家务,在照料比利时洋相百出:第一次为比利煎西多士、过程十分恐怖;比利不吃饭要吃雪糕,克莱默先生想阻止却不懂沟通……幸好在女邻居的帮助下,克莱默先生逐渐适应了单身父亲的生活。父子两越来越亲密,互相依赖。这时,克莱默夫人回来了,她已经是纽约一名出色的设计师了。她回来要拿回比利的抚养权……