私阴盗摄
关于一个心理变态的妓女谁擦伤了她的客户的眼睛用锋利的刀片做AI他们，因为她自己的弟弟拍摄她的野蛮强迫的屋顶时，她年轻，她的创伤终身艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan！原来，她的哥哥还在拍摄她的离奇的情节转折，导致了血腥和悲惨的结局大量裸露和血腥的死亡
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编辑推荐
绿液惊魂
乔·基瑞,连姆·尼森,乔治娜·坎贝尔,索茜·贝肯,瓦妮莎·雷德格雷夫,莱丝利·曼维尔,亚伦·赫弗南,埃洛拉·托尔基亚,罗伯·柯林斯,贾斯汀·塞林格,加文·斯波克斯,安德鲁·布鲁克,达雷尔·席尔瓦,露伊萨·里希特,纳赫尔·策盖,丹尼尔·里格比,克莱尔·霍尔曼,瓦伦蒂娜·波普科娃,纳纳·詹姆斯两个值守夜班的“倒霉蛋”甜点心（乔·基瑞 饰）和内奥米（乔治娜·坎贝尔 饰），意外发现了疯狂繁殖的外星寄生真菌，无福消受这顿重口加班餐的二人发出求救信号。“淡淡死感”的退休特工罗伯特（连姆·尼森 饰）被迫再就业，重新上岗拯救即将被真菌腐蚀的世界。他们一边躲避着因寄生而绿液四溅的宿主们，一边和翻涌的肠胃做斗争，在一阵阵爆浆声中大开“惊喜盲盒”。这组画风迥异的“临时战友”能否阻挡这场末日浩劫？谁又能活着走出这个惊魂之夜……
检事霞夕子～无关系的死～
沢口靖子,西村和彦,神保悟志,石丸謙二郎,いしのようこ,川野太郎,ダンカン,松原智恵子,手塚理美一名男子因猎枪走火而身亡，几乎所有的人都认为这是一起意外，只有一向风格强硬的检事霞夕子（泽口靖子 饰）倍感蹊跷。她执意深入调查，但是最终一无所获。与此同时，名叫安川初音（石野洋子 饰）的女子来到夕子老家的寺院上香，她此行的目的是悼念一个因被误解而意外死亡的男子。安川种种反常举动引起了夕子的注意，她旋即又对安川展开调查，却无意间发现这两起意外事件的关联。层层迷雾渐渐散尽，真相逐渐浮出水面…… 本片根据夏树静子的原著小说《路上の奇禍》改编，是3週連続 罪と女系列的第2部，另外两部分别为《破婚的条件》和《魔术的耳语》。
我们是伯利恒
多洛蕾斯·方齐,卡米拉·普拉阿特,劳拉·帕雷德斯,朱丽叶塔·卡迪纳利,Sergio Prina,路易斯·马辛,凯撒·特龙科索,Lili Juarez,Ruth Plaate,Gaia Garibaldi,Susi Andersen,Eugenia Blanc,Daniel Cabot,Camila Caram,Aquiles Casabella,Edgardo Castro,Tamara Dawidowicz,Pilar Mestre Del Bono,Fabio Di Tomaso,Sofía Diam2014年，阿根廷图库曼省；一名年轻女性因剧烈腹痛入院，当时她并不知道自己已有身孕。醒来时，她发现自己被手铐铐在轮床上，周围全是警察。她被指控自行堕胎，在拘留两年后，因加重杀人罪被判处八年监禁。 图库曼省的一位女律师将为她的自由而战，数千名女性与众多组织纷纷声援，她们团结起来，试图改变历史的走向。
冰封之地
尼古拉斯·凯奇,约翰·库萨克,凡妮莎·哈金斯,凯瑟琳·拉·纳莎20世纪80年代初，站街流莺辛蒂（瓦妮莎·哈金斯 Vanessa Hudgens 饰）险些遭人杀害。与此同时，在阿拉斯加一处荒凉所在，一名女性尸体被人发现。警官杰克·海尔康伯（尼古拉斯·凯奇 Nicolas Cage 饰）从辛蒂处了解到，凶手手段残暴无情，并且可能是个连环杀手。由于背负着不堪回首的过去，杰克一方面决定保护这个侥幸从死神手中逃脱的女孩，另一方面将目标锁定在曾在70年代有过前科的男子罗伯特·汉森（约翰·库萨克 John Cusack 饰）身上。罗伯特道貌岸然，不动声色继续着他的猎杀活动，当他意外再度出现在辛蒂面前时，正邪双方的对决即将到了关键时刻…… 本片根据真实事件改编。
像这样的夜晚
亚历山大·林肯,杰克·布雷特·安德森,大卫·布拉德利,Jimmy Ericson,贝丝·里朗斯,凯恩·萨里,Eloise,Sam Jochim,Rizwan Khan,Harriet Olivia-Wilson一位身无分文的同志演员和一位因生意失败而陷入困境的高层人物在一个冬夜相遇，并联手在伦敦各地寻找他们悲惨生活的意义，但当他们看似不可能的联系变成了更深层次的东西时，来自过去的恐惧和心魔开始危及他们的生活。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.