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达科塔·约翰逊,阿德里娅·阿霍纳,凯尔·马文,迈克尔·安盖洛·科维诺,西蒙·韦伯斯特,查理·吉尔莱斯皮尔,大卫·卡斯塔尼达,O·T·法格本,娜赫玛·里琪,蒂龙·本斯金,尼可拉斯·博朗,莱奥·亨尼利,罗宾·吉伦,利蒂希娅·布鲁克斯,泰勒·豪尔,艾米丽·欧康纳,卢克·麦克菲尔,让-克劳德·莫莱斯,贾·旁,杰西卡·马图琳,斯蒂芬·阿德科鲁,尼古拉斯·波舍尔致命塔罗
阿凡提卡·万达纳普,雅各布·巴特朗,欧文·弗热瑞,哈里特·斯莱特,亨伯利·冈萨雷斯,拉森·汤普森,阿丹·布拉德利,沃尔夫冈·诺沃格拉茨,斯塔萨·尼科利奇,詹姆斯·斯旺顿,艾伦·韦尔斯,桑西卡·米拉诺维奇,乔丝·卡特肥龙过江
甄子丹,毛舜筠,周励淇,王晶,林秋楠,张继聪,竹中直人,丞威,渡边哲,王祖蓝,詹瑞文,陈友,伍允龙,林晓峰,周俊伟,林盛斌,泰臣,叶山豪,严华,喻亢,冯勉恒妃子笑
萧正楠,黄婉伶,黄婉君,陈逸宁,戴梦梦,朱咪咪,李兆基,江欣燕,梅小惠,谢雪心,杨羚,李思捷,王嘉明平原上的迷途
菲利波·斯科蒂,塞尔吉奥·罗马诺,皮耶尔保罗·卡波维拉,罗伯托·西特兰,安德里亚·彭纳基,Simone Bergamasco,Francesco Busolin,Diego De Francesco,丹尼斯·法索洛,Nicola Rossato,Giuseppe Messina坏继母
苏菲亚·威希涅瓦,克里斯蒂·斯旺森,罗根·霍夫曼,戴夫·戴维斯,Anthony Marble,约翰·麦康奈尔父影之下
索佩·迪瑞苏,Godwin Egbo,Chibuike Marvelous Egbo,Efòn Wini,Tosin Adeyemi,Adesina McCoy Babalola,Lawrence Chu,Yetunde Coker,Akerele David,瓦莱·戴维斯,Patrick Diabuah,Paul Edobor,玛莎·厄赫诺梅,Adodo Emmanuel,Patrick Essien,Olarotimi Fakunle,Ikechukwu Gabriel,Fred Ideh,Ebuka同系列推荐
得墨忒耳号的最后航程
科里·霍金斯,艾斯琳·弗兰乔茜,利亚姆·坎宁安,大卫·达斯马齐连,克里斯·瓦利,乔恩·琼·布里恩斯,斯蒂芬·卡皮契奇,马丁·弗鲁伦德,尼古拉·尼克拉斐,伍迪·诺曼,哈维尔·博泰特,格雷厄姆·特纳,安迪·穆雷,尼科洛·帕塞蒂,克里斯托弗·约克,努尔丁·法拉西,亚当·肖,杰克·多格特,莎莉·里夫猪扒大联盟
李嘉欣,莫文蔚,林熙蕾,关秀媚,陈小春,冯德伦,黄浩然,杜德伟,郭少芸,陈键锋,许绍雄,卢海鹏,杜汶泽 Chapman To,邹凯光,叶竞生年度最佳新娘
Carine Rous,Bouwer Bosch,阿曼德·奥坎普分裂: 黑色子弹
山姆·文森特,Dexter Bell,William 'Big Sleeps' Stewart,凯伦·霍尔尼斯,多隆·贝尔,Porsha Pointner,莎伦·泰勒,杰西·哈奇,塔米·吉利斯,Christina Lewall,Blaine Anderson,Jason Bell,Gagun Chhina,James Coupland,Brenda Crichlow,布拉德·凯利悬案密码3：信仰的阴谋
尼古拉·雷·卡斯,法瑞斯·法瑞斯,帕尔·斯维尔·哈根,雅各布·豪伯格·罗曼,阿曼达·科林,约翰·路易斯·施密特,雅各布·奥福特布罗,索伦·比尔马克,迈克尔·布罗斯楚普,莫滕·基尔斯果,洛特·安德森鬼屋脱身
Jaclyn Betham,丝柯·泰勒-考普顿,兰德里·阿尔伯特,莱恩·托冉,Noah Lowdermilk,Jamil Walker Smith,Lane Caudell,Ben Deschaine,Chrystopher Ryan Johnson,Kynsleigh Queen,Liz Zwiebel幕后花絮
放送禁止我的三位妻子
影片以一部“本应播出却被紧急叫停的纪录片”为线索，记录了一名男子与三位妻子共同生活的影像。网页设计师萩原浩司、作为家庭经济支柱的公司经营者中濑由子、前模特乾真理奈，以及护士内野枫——四名相关人士被召集到一起，观看了一段丈夫被杀害的录像。然而，随着影像逐渐展开，三位妻子却先后承认： 凶手是自己。爱、依赖、嫉妒与谎言交织在影像背后，纪录片的真实目的也随之变得模糊。这部被“禁止播出”的影像，究竟隐藏着怎样的真相？
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster