影片推荐
异形侵袭
Ian McCulloch,Louise Marleau,Marino Masé线人1973
罗伯特·米彻姆,彼得·博伊尔,理查德·乔丹,史蒂文·基茨,阿历克斯·罗克,乔·桑托斯,米奇·瑞恩,Peter MacLean,凯文·欧莫里森,Marvin Lichterman,卡罗琳·皮克曼,詹姆斯·托根,玛格丽特·拉德,马修·考尔斯,Helena Carroll,杰克·基欧,Jan Egleson,Michael McCleery,Robert Anthony,Gustave Johnson热血敢死队
隋存毅,李恰,李博,吕九亿,吕晨,王锦,刘小宾,杨明,冯奕鸣邻人X 奇怪的她
上野树里,林遣都,黄姵嘉,野村周平,川濑阳太,岛田久作,原日出子,笨蛋节奏,酒向芳阿坎达2
巴拉克利须那,哈莎莉·马洛特拉,Samyuktha Menon普通事故
瓦希德·穆巴谢里,玛丽亚姆·阿夫沙里,艾卜拉希姆·阿兹兹,哈迪斯·帕克巴滕,马吉德·帕纳西,穆罕默德·阿里·艾利亚斯梅尔,德尔玛兹·纳加菲,阿菲桑内·纳姆巴蒂,乔治·哈什姆扎德,莉安娜·阿兹兹菲同类精选
复仇公主斯嘉丽
芦田爱菜,冈田将生,役所广司,市村正亲,吉田钢太郎,齐藤由贵,松重丰,山路和弘,柄本时生,青木崇高,染谷将太,白山乃爱,白石加代子NO.1
崔宇植,张慧珍,孔升延人证1977
冈田茉莉子,松田优作,鼻肇,乔山中,岩城滉一,三船敏郎,鹤田浩二,竹下景子,伴淳三郎,高泽顺子,范文雀,夏八木勋,长门裕之,珍妮八田,坂口良子,大泷秀治,佐藤蛾次郎,北林谷荣,西川峰子,铃木瑞穗,峰岸彻,地井武男,和田浩治,深作欣二饮食男女1994
郎雄,杨贵媚,吴倩莲,王渝文,张艾嘉,归亚蕾,赵文瑄,陈昭荣,陈捷文,卢金城,唐语谦,洪其德,王瑞,杜满生,王玨,陈妤,左正芬,许敬民,聂卓晶,丁仲星河战队3：掠夺者
卡斯帕·范·迪恩,乔琳纳·布拉洛克,斯蒂芬·霍根,波瑞斯·科乔,阿曼达·多诺休,玛内特·帕特森,斯特里奥·萨万特,坦娅·范·格拉恩,Antonio Summerton,Nicole Salandra,柯基·法尔考,史蒂芬·詹宁斯,Rob Vega,格兰特·斯旺比,Damon Berry,乔·瓦兹,卡尔·桑宁,蒂龙·基奥,凯文·奥托,劳伦·麦格雷,Tarryn Page,邦戈·姆布图马,科里·伯顿,凯瑟琳·奥克森伯格洛特DR1
Christian Kapper,Natalie Welch,Thomas E. Nicholson影视排行
极限人生2026
张子栋,张雪菡,肥龙,王蕊,曹然然,王晓曦,吴连生影片讲述中年男子马然为凑百万彩礼钱加入地产中介项目，却卷入诈骗案背负罪名，最终通过精心策划洗脱嫌疑并将诈骗团伙绳之以法，同时收获真爱的故事。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
平原上的迷途
菲利波·斯科蒂,塞尔吉奥·罗马诺,皮耶尔保罗·卡波维拉,罗伯托·西特兰,安德里亚·彭纳基,Simone Bergamasco,Francesco Busolin,Diego De Francesco,丹尼斯·法索洛,Nicola Rossato,Giuseppe Messina卡洛比安奇和多里亚诺是两个生活拮据的五十多岁男人，他们秉持着“绝不错过最后一杯酒”的人生哲学。在一次偶然的机会中，他们结识了朱利奥，一位性格内向、对人生感到迷茫的建筑学学生。这场看似不经意的邂逅，却逐渐演变成了一场穿越威尼斯平原的混乱公路旅行。 在旅途中，糟糕的建议、宿醉的困扰以及意料之外的友情，不断挑战朱利奥对人生和爱情的原有计划。这场旅程不仅重新定义了他们彼此的生活，也让朱利奥开始重新思考自己的未来方向。
蜜恋合租
孙志强,徐海文,谢雨欣安诺轩辞高薪逐写作梦，26岁遭男友陈强出轨并贬其梦想，分手后陷窘境。闺蜜帮她招租，曾被她所救、暗恋她的苏梓桥借机合租。两人磨合中渐生情，虽因误会分开，安诺轩却知心意。苏梓桥助她入职，共退联姻对象华清泫，获苏母认可，婚后安诺轩写作终成。