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老破车
开着一辆老奔驰,年迈的阿福刚失去妻子,寡言的他就像被困在过去的时光里。他变卖家当,处理挚爱的破车,准备移民加拿大与儿子会合,然而生活却没有轻易放过他。和女儿的心结难解,也见证旧友年华逝去、世事无常,突如其来的变故,更一下子打乱了他的计划,将他推入绝境。与跨性别女性娟妮萍水相逢,或许是生命赠与的最后契机,他在路上还有什么未尽的习题?
嘎啦
直播主玛菲司一家抵达即将开幕的度假村举办活动,然而他们从未料到,迎接他们的竟是恐怖的降临。为了揭开真相,阿序和好友天仁召集了一群网友,再次前往度假村探险,并希望通过这次探险在网络上获取流量。殊不知,他们即将卷入一场自1960年延续至今、从未停止过的邪恶祭典。
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.