艾小青在楼梯上发浪等你来

4.0 播放:24万 更新:2026-05-28
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艾小青在楼梯上发浪等你来

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艾小青在楼梯上发浪等你来

编辑推荐

我的学姐是青蛇

打破白娘子传说的固有框架,以许仕林后人许博森的现代视角切入,将千年神话与当代青年的成长、抉择结合,把 “救母” 而非 “爱情” 作为核心主线,赋予经典故事全新的情感内核与现实思考。

怨泊

何超仪,高桥和也,白川和子,周俊伟

  东京,一个世界知名的大城市。 Sarah (何超仪 饰) 与男友分手后,来到此地欲求购买房生产,并度过一个短暂而宁静的假期,但一切事与愿违。由于美国总统的突然到访东京,原定的酒店已满。  房地产公司将她安置在一座非常破旧废弃令人毛骨悚然的私人民宿 “minipaku” 中 ,当Sarah入住时,她发现它是由一位老妇人(白川和子 饰)经营的。她在那里的第一个晚上感到十分不安和可怕,噩梦连连,并且病了起来,只能被迫留下来,更令她意外地发现了一具正在被寄生虫吞噬的完整骨骼。警察局的高级警司(高桥和也 饰)接手调查,也发现这家民宿牵涉多宗连环离奇失踪案件,怪事连连,警司也未能为Sarah破解。  这座有着非常神秘力量和不明历史的房子,与Sarah有着某种联系。当 “minpaku” 的灯熄灭时,可怕而令人不安的景象笼罩着她,它们变得越来越真实。一场又一场可怕而离奇的噩梦,令人不知道这是开始还是结束,似乎一切都是安排好的。

绝命空间站

Julia Franz Richter,乔治·布莱顿,马克·伊瓦涅

  2056 - Company soldier Hannah and scientists Gavin and Dimitri are on board of RUBIKON space station researching an algae project aimed to provide humanity with a permanent supply of oxygen and food. But all of a sudden the earth beneath them disappears in a brown, toxic fog and all contacts are broken - are they the last survivors? Should they leave the safe station, risk their lives by flying back? What is worth living for, what is worth dying for?

怪谈晚餐

朴昭怡,刘多仁,尹贤旻,张光,李周英,金周灵,高恩敏,李素英,吴承姬,张睿恩,张丞延,金太竣,潘素英,申银秀,金浩贞,金东英,申文成,金太勋,赵在允,崔秀林,朴真雅

  这部电影将六个故事组合成一个综合系列,描绘了由于人类错误的欲望而发生的奇异事件。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

老板和小可爱

萨尔瓦托雷·埃斯波西托,Fabiana Martucci,Antonio Milo,希罗·埃斯珀斯托,萨尔瓦多·斯特里亚诺,Riccardo Cicogna,Gianantonio Mellone Martinone,阿涅洛·阿雷纳