幻想

　　在一次例行的夜间巡逻，警察朱莉和西蒙不慎伤了一个副局长的儿子，在昏迷状态，没有明显的理由下，他暴力的杀死了他们的同事，面对纪律处分，他们得不到上级的支持，在为他们的报告进行调查的过程中，发现在这个年轻人的房子有一个奇怪的药物。他们决定自己进行调查，发现一个新的网络化制造贩卖非法毒品的组织……

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

改编自英国电影《爱丽丝的失踪》                                                                      　　为了给弟弟的手术费筹钱，海兰与身为高利贷主的泰秀联合策划了一起绑架案，目标就是海兰同父异母的姐姐素珍。素珍之前并不知道自己还有个妹妹，当身份关系揭晓，绑匪和人质之间变得微妙起来……

　　亚历克斯失败后过去了73年，人类也失去了半机械人的战争。从那时起，人类就被奴役了。科学家们已经开发出一种新的DNA毒株，这可能标志着Cyborgs的终结，并将其注射到志愿者身上。当生化机器人了解到这个女人和婴儿时，他们都要终止。为了逃跑，她带着一艘偷来的半机械人的船，在1980年回到了东非，在那里，母亲被杀，但孩子得救了。这需要20年的时间，但半人半人的猎人星云最终找到了这个名叫亚历克斯的女孩，并及时赶回来终结她的生命。