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详细简介
热门影视 大家都在看
七年很痒
刘青云,应采儿,刘嘉玲,安志杰,蒋怡鳄鱼变
贝弗利·加兰,布鲁斯·班尼特,小朗·钱尼,乔治·麦克雷迪阿嬷的审判
星际变种
刘敬宇,杨舒婷,凯洱,麦小龙,王艺曈,袁近辉,鄢子纶,李岩研,刘峰超,Alexander Zerrath,狼森,Eric Joseph Heise,蒂娜·柯林斯,Chelsey Mark,大卫·雷登,Norbert M.DuBois,赵鹏涛杀出魔鬼镇
丹尼斯·欧哈拉,艾狄森·蒂姆林,盖瑞·科尔,斯宾塞·崔特·克拉克,乔舒华·莱纳德,维罗尼卡·卡维特,爱德华·赫曼,约翰·威斯利·查特曼,埃德·劳特尔,阿拉贝拉·菲尔德,兰斯·E·尼克尔斯,斯塔莱特·米亚里奥尼,Morganna May,Dodie Brown,Raiden Integra木匠之子
尼古拉斯·凯奇,诺亚·尤佩,小枝女孩,伊斯拉·约翰斯顿,索海拉·雅各布,Penelope Markopoulou,Orestis Paliadelis,埃莉娜·托帕丽朵,马诺利斯·马诺里斯,Thekla Gaiti,Kaiti Manolidaki,Dimitris Louskos,Stavros Kottas,Zisis Papaioannou,Michalis Ioannou,Viktor Hristov,Odisseas Zikas,Gary Salomon,Lee Papadakis,Harila同类推荐
祝你好运2024
亚历山德拉·达达里奥,柯瑞·福格尔玛尼斯,迈尔斯·古铁雷斯-赖利,科尔·斯普罗斯,莉娜·邓纳姆,艾米·兰德克,莱克西·安德伍德,丽莎·山田,贾德森·米尔斯,布莱恩·迈克尔·史密斯It follows a teen who after being kicked out of the house by their parents, embarks upon a journey of self-discovery that teaches them about love, friendship, and family.
FPS
道本成美,泉知束,米澤成美,南久松真奈,岩永ひひお佐藤铃（道本成美）为了逃避母亲（南久松真奈）的过度干涉，在川上信夫（泉知束）的引导下，前往东京的一处房产进行内览。尽管被告知前住户山本孝雄（岩永ひひお）因欠租而失踪，铃仍被这处优质房产所吸引。信夫提议她单独继续内览时，铃顺从了他的建议。然而，她在房中听到某种不祥的声音，被引导着打开了一扇通往异世界的门，随后被强行拉了进去。醒来后，她发现自己身处一座荒废的巨大建筑中，迷茫中遇到了自称山本孝雄的男子。这个空间被某个怪物所支配，既无法逃脱，也无法死去，真正的无间地狱。
年度最佳新娘
Carine Rous,Bouwer Bosch,阿曼德·奥坎普组建家庭的梦想破灭后，林基想出了一个狡猾的计划，誓要拿下“年度新娘”的称号，以此报复前任
无惧神明
莉顿·梅斯特,托比·琼斯,本·巴恩斯,哈威·凯特尔,肯尼·沃莫尔德 ,里特奇·科斯特,保罗·本-维克托,Slaine,William Xifaras,Jay Giannone,Julie Ann Dawson,Stacey Queripel,Billy 'V' Vigeant,Armen Garo,Michael Yebba影片的故事发生在波士顿，巴恩斯扮演的尼克是一位意大利裔的美国年轻人，踌躇满志的他加入波士顿黑手党，决心开创一番事业，却发现这个犯罪组织早已不复昔日之勇。 于是尼克背着他的老板（《落水狗》、《坏中尉》男星哈威·凯特尔饰），自立门户，扩张版图，希望重塑往昔的辉煌。一手金钱，一手美人（莉顿·梅斯特饰），尼克完全不知道自己正走在危险的悬崖边。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.