Girls Entertainment BWH vol.5 樹智子

　　Mikheil Chiaureli是斯大林的御用导演，《攻克柏林》长达近五个小时，分上下两部，处处着重突出最高统帅的高瞻远瞩。影片结尾，斯大林乘飞机抵达陷落的柏林，接受苏军的欢呼。其实这是“艺术虚构”。和《斯大林格勒战役》一样，这场实际主要由朱可夫将军指挥的战役，影片中丝毫没有他的影子。当时朱可夫已经因为功高震主，被罗织罪名，发配到乌拉尔军区去了，这是1946年的事。这部1949年的电影很自然地就将朱可夫的功劳“艺术虚构”到伟大领袖的头上了。　　因为这部影片，导演连续获得了两次国家奖金，包括1950年的斯大林奖金。中国观众熟悉的《难忘的1919》（1952）也是出自这位导演的手笔。值得一提的是，这两部影片都是由苏联作曲家肖斯塔科维奇谱曲的。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　高中三年级学生朝仓晓生是个车迷，这天他在车行里发现了一辆深蓝色的日产FairladyS30Z。这正是传说中的“恶魔Z”，号称速度最快的改装车。据说“恶魔Z”仿佛有着自己的意志，能够根据情况做出反应，它的高速令人生畏，却又深深地吸引着追求速度之梦的人们。“恶魔Z”曾经的拥有者都出了事故，这辆车在世上销声匿迹了一阵，竟然又出现了。晓生迷上了“恶魔Z”，为之投入了全副精力，试图去完全掌控它。　　绘梨子的哥哥晶夫也因为“恶魔Z”而死，绘梨子非常讨厌这辆车，反对让它复活。然而晓生的热情感染了她，她在晓生身上看到了哥哥的影子，渐渐地开始支持他。　　绘梨子的男朋友岛达也曾经是晶夫的赛车朋友，他认为应该把“恶魔Z”销毁，阻止再有人牺牲。达也将爱车黑色保时捷911重新改装，向晓生发出了战书。　　恶魔Z与黑鸟的对决拉开了序幕……

唐载初年，位于郊外校场倒塌的通天浮屠残骸一夜之间复活。天空中一条火龙照亮夜空，并喷射火球摧毁了整个校场，死伤无数。随后通天浮屠也燃起大火，化为灰烬。而异族鬼道在城外叫嚣，只有武则天效仿大佛自焚，天下才可免受灾难。城中内外人心惶惶，狄仁杰奉命彻查此案，却遇到了与自己有过节的大理寺少卿裴东升。二人不打不相识，被迫一起调查此案。面对外敌的入侵，队友的不信任，狄仁杰决心背水一战，势要查明案件的真相。