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健听女孩
艾米莉亚·琼斯,特洛伊·科特苏尔,玛丽·玛特琳,丹尼尔·杜兰特,欧赫尼奥·德尔维斯,福迪亚·瓦尔什-匹罗,艾米·福赛思,凯文·查普曼,约翰·菲奥里,朗尼·法默,科特兰·琼斯,莫莉·贝丝·托马斯,阿雅娜·布朗,杰森·普加奇,基亚娜·法内,安尼莉·利斯特,史蒂芬·卡利斯坎,何塞·冈斯·阿尔维斯,欧文·伯克,梅利莎·麦克米金,埃里卡·麦克德莫特,玛丽·安·绍布,莎拉·克拉克,大卫·纽森,大卫·布肯德尔,理查德·钱德勒,罗布·勒维克,琪拉·皮查多美丽的高中女孩露比·罗西（艾米莉亚·琼斯 Emilia Jones 饰）出生于一个极不寻常的渔民家庭，她的父母和哥哥天生聋哑，只能通过手语交流。而健康无恙的露比既是幸运的，却也是不幸的。她担任了家人和外界交流沟通的桥梁，为此承受了诸多的歧视和嘲笑。这期间，只有好闺蜜戈蒂（艾米·福赛思 Amy Forsyth 饰）是她最坚定的支撑。因为喜欢男孩迈尔斯（福迪亚·瓦尔什-匹罗 Ferdia Walsh-Peelo 饰），露比报名参加校合唱团，而天资颖悟的很快得到了负责老师的赏识。在此之后，露比频繁奔波于合唱团和家族之间，她渴望前往伯克利追求音乐梦想，而这势必要和对她无比依赖的原生家庭分隔两地。露比为此深深焦虑……本片根据真实事件改编。
羞耻恶魔
西蒙·飞利普斯Jack escapes jail and head to New York city to track down an old flame who has disappeared under mysterious circumstances.
两架钢琴
弗朗索瓦·西维尔,娜迪亚·特列什科维奇,夏洛特·兰普林,伊波利特·吉拉尔多,阿尔芭·贝露琪,Anne Kessler,杰里米·勒温,Marianne Pommier,Valentin Picard,Laura Caselli,Keith Farquhar,梅兰妮·古思,帕斯夸莱·当卡,Michaël Maïno,Rafaël Reves,雅尼塞·科巴卜,Guillaume Benit,Guillaume Arnoldi,Erwan Vin,Déborah Lamy在多年前的一段经历后回到法国，钢琴家马蒂亚斯·福格勒将再次与他的导师埃伦取得联系，为一场音乐会做准备。在一座公园里，他将邂逅一个与自己长得一模一样的孩子，而这个孩子会把他引向克洛丁——一位他曾在某个时代深爱过的女人。
火车司机日记
拉扎尔·里斯托夫斯基,佩塔尔·科拉克,米尔亚娜·卡拉诺维奇,雅丝娜·杜里契奇,穆拉登·内勒维奇,尼娜·扬科维奇,达妮卡·卡斯托夫斯基,哈里斯·布里纳,蒂赫米尔·斯塔尼克,帕夫莱·埃里克,朱吉娜·拉迪克,内纳德·西里克,娜塔莎·马尔科维奇,尼古拉·布拉托维奇,博扬·迪米特里耶维奇,乔万·卡斯托夫斯基,亚历山大·格里戈利克每个火车司机在职业生涯中会撞死20多人，这些死者通常是因为寻死、失误、酒醉或仅仅是一不小心而丧生。伊利亚是一名即将退休的火车司机，他共撞死了28人。他19岁的养子西玛继承了他的工作，西玛非常担心自己也会撞死人，而老司机们都安慰他说，一周内就会发生，但是几周过去后，没有发生一起撞人事故，而这也使得他精神极度紧绷。伊利亚为了帮助他，找到了许多想要自杀的人，让他们跳到车轨上自杀，但是最终这些人都放弃了自杀的念头。无奈之下，伊利亚自己躺在了车轨上想用自身的死来拯救西玛…
一百样东西
弗洛里安·大卫·菲茨,马提亚斯·施维赫夫,米里亚姆·斯坦因,汉内洛勒·埃尔斯纳,卡特琳娜·塔巴赫,约翰尼斯·艾麦亚,马克西米利安·梅耶-布雷泽内德,玛利亚·佛万格勒,沃尔夫冈·斯塔姆普,Sarah Victoria Frick,Artjom Gilz,丹尼尔·弗利格,Milo Eisenblätter,Nora Boeckler安东尼（马提亚斯·施维赫夫 Matthias Schweighöfer 饰）和保罗（弗洛里安·大卫·弗里茨 Florian David Fitz 饰）是从小玩到大的青梅竹马，两人共同经历了太多的事情，彼此之间的友谊坚不可破。成年之后，他们一起创办了一家公司，这一天，公司觅得了一名非常慷慨的投资人，为了庆祝这件事情，公司里开设了一场盛大的派对，在派对上，玩的兴起的安东尼和保罗决定打一个赌，赌注是公司百分之五十的股份。 安东尼和保罗交出了身上所有的东西，两人回归到身无分文的状态，然后每一天，他们都可以在他们所拥有的东西里拿回一件，如此往复，看谁能够撑更长的时间，先放弃的人就是输家。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.