我朋友的老姐

★ 0.3 播放:80万 更新:2026-05-23

“姐姐,就住在我们家吗?”和性感的朋友姐姐一起开始了危险的同居!俊秀是亲熙的姐姐熙真被骗走的事实,并提议同居。从那天开始的两人的危险同居。虽然像亲兄妹一样亲,但绝不能成为亲姐弟的两个成年男女在不断地散发出奇异的气氛,俊秀则沉浸在墙壁的高处,让人无法入睡的夜晚变得越来越多。看了俊秀的某一件事。

在线播放

剧情简介

“姐姐,就住在我们家吗?”和性感的朋友姐姐一起开始了危险的同居!俊秀是亲熙的姐姐熙真被骗走的事实,并提议同居。从那天开始的两人的危险同居。虽然像亲兄妹一样亲,但绝不能成为亲姐弟的两个成年男女在不断地散发出奇异的气氛,俊秀则沉浸在墙壁的高处,让人无法入睡的夜晚变得越来越多。看了俊秀的某一件事。

导演精选

急冻奇侠

  故事开始于明朝,凤三(元华 饰)心肠歹毒,无恶不作,身为锦衣卫,同时又是凤三的师弟,方守正(元彪 饰)发誓要将凤三绳之于法。然而,凤三此人诡计多端,甚至想要偷取能够扭转时空的黑玉佛,借此逃脱法网,几番争斗之后,两人双双跌落山崖。  时光荏苒,转眼已是现代,考古队在雪地中挖掘出了凤三和方守正被冰封住的尸体,将两人运往美国研究,然而,途中一场意外却令两人死而复生。方守正于机缘巧合之下遇见了名为阿玉(张曼玉 饰)的不良少女,阴差阳错的成为了她的保镖,而凤三不改奸邪本性,加入了黑社会,继续为非作歹。当方守正得知凤三依旧作恶多端后,他决定继续自己未完成的使命。

奇迹男孩

 奥吉(雅各布·特瑞布雷 Jacob Tremblay 饰)是一个10岁的男孩,除了头戴一个巨大的太空头盔外,他和其他的同年龄孩子别无二致。头盔下隐藏了奥吉因为各种手术而伤痕累累的脸庞,它不仅完美的隐藏起了奥吉脆弱自卑的内心,也成功的防止了奥吉的模样吓到别的孩子。奥吉没有上过学,他的所有文化知识都是母亲伊莎贝尔(朱莉娅·罗伯茨 Julia Roberts 饰)在家教授给他的。然而,伊莎贝尔渐渐感觉到,家庭课堂无法满足奥吉的成长需要,除了学习知识,奥吉还必须学会的,是如何同除了家人以外的人交流。在忧虑重重之中,伊莎贝尔将奥吉送入了一间公立学校里,在那里,奥吉面临的是他人生中必须要战胜的挑战。

公寓2024

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.