女高生SEX暴力
金城学园高中和椎叶女子高中的女子帮之间爆发了冲突。性、打架和摇滚音乐接踵而至艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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东京少女
夏帆,佐野和真,近藤芳正,秋本奈绪美,福永真梨佳《东京少年》的姊妹篇，同样以“无法有结果的恋情”为主题。 2008年的东京少女未步（夏帆 饰）的梦想是成为一名奇幻小说家，这天和母亲以及母亲的情人在餐厅用餐，对母亲准备再婚一事十分排斥的未步愤而离席。 1912年，宫田时次郎（佐野和真 饰）再次被夏目漱石退稿，缺乏生活经验的他写作出来的小说缺乏打动人心的力量。他沮丧地拿着退稿离开出版社。 突然发生地震，站立不稳的未步失手掉了手机，从楼梯坠入连接过去与未来的虫洞，被时次郎拾得。 不可思议地，相隔几近一百年的两个人，由误会到了解，渐渐情愫暗生，彼此倾诉生活中遭遇的问题，还异时空约会。但是身处未来的未步总是知道历史的发生，而当她想改变时，却发现一切只是无能为力。但是即便不能改变命运，也仍有真爱留低。
欣德·拉贾布之声
克拉拉·库里 , 萨贾·基拉尼 , 莫塔兹·马希斯 , 阿莫尔·何勒赫尔突尼斯导演考塞尔·本·哈尼亚将把巴勒斯坦六岁女童欣德·拉贾布的悲剧搬上银幕。2024年1月29日，欣德乘坐的车辆在加沙遭以色列军队袭击，她被困车中通过电话绝望求救，12天后被发现与家人一同遇难。影片将追溯这通生死未卜的求救通话背后，一个幼小生命在战争废墟中的最后时刻。
是的2025
艾里尔·布隆兹,伊芙雷特·多,纳马·普雷斯,阿列克谢·谢列布里亚科夫,莎伦·亚历山大,Pablo Pillaud-Vivien,Idit Teperson,Meir Fenigstein,Amit Narovliansky,Ellie Ohana,Joy Ohana,Noah Lapid Preis,阿萨夫·乔纳斯,Shira Shaish,Daria Gilat Brenner,Ron Friedland,Rodia Kozlovski,Rachel Ayalo,Oded Carmi,Muriel Ha富豪私人派对上，一对男女忘我炒热气氛，只要金主敢玩，他们十倍奉还。白天，两人栖居小公寓照料幼子，她靠教舞维生，他则是潦倒音乐家。然而，手机里传来的加沙炼狱景象使他们焦虑，周遭人们却欢庆着血流成河，他们为了温饱，继续出卖灵魂。某夜，他收到酬劳可观的邀约，却必须将金主写下的魔鬼诗篇谱成新国歌。为了五斗米，他决定深入国族的集体创伤，寻找主旋律。
变异双头蛇
陈堃,莫佳荻,韩阳,武雨晴,王黎林宇与三名女孩遭遇空难，不幸流落至一座荒无人烟的孤岛，刚上岸便遭遇一头凶猛的变异双头蛇袭击。危急时刻，容貌靓丽、身手矫健的当地女土著颂雅及时出现，凭借对岛屿环境的熟悉，成功引开双头蛇，将四人救至一处隐蔽山洞。在艰难的孤岛求生中，林宇作为唯一的男性主动守护众人，朝夕相处间，他与四名女孩渐生情愫，陷入了两难的感情纠葛。好景不长，思瑶惨遭双头蛇伏击吞噬，若琳也不幸遇害。悲痛之下，林宇、婉晴与颂雅联手，借助颂雅祖辈流传的经验，摸清毒蛇怕强光和特定植物汁液的弱点，巧用简易工具设下陷阱，最终成功消灭双头蛇，林宇也找到情感的归宿。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
警长索恩：贪睡鬼
大卫·莫瑞瑟,艾丹·吉伦一起连环凶杀案吸引了警长索恩（大卫·莫瑞瑟 David Morrissey 饰）的注意，这位穷凶极恶的凶手手中已经有了三条人命，然而，第四名受害者却侥幸逃过一死。警方和民众都认为这是凶手的百密一疏造就的结果。然而，可怕的是，没过多久，索恩就发现，犯错的不是凶手，而恰恰是自己，因为尽管保住了一命，但这位幸存者却无法提供任何情报。 几起在同一时间、使用同一手法在两个不同地点作案的谋杀案让警长索恩十分警觉，随着时间的推移，迷雾渐渐拨开，他发现，自己所要面对的并非仅仅一名嗜血残暴的杀人魔王，而是两个在暗地里相互勾结、相互鼓励的反社会分子。