深色调的爱丽丝
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盖尔·加西亚·贝纳尔,费雷·马丁内兹,丹尼尔·希梅内斯·卡乔,路易斯·奥马,弗朗西斯科·梅斯特,弗郎西斯科·博伊拉,胡安·费尔南德斯,纳乔·佩雷斯,哈维尔·卡马拉,阿尔维托·费雷罗,佩特拉·马丁内斯,Roberto Hoyas,阿古斯丁·阿莫多瓦,佩德罗·阿莫多瓦,波尔·莫南,萨拉·蒙铁儿,蕾欧诺·瓦特林,何塞·马利亚·亚兹皮克红色之州
迈克尔·帕克斯,梅丽莎·里奥,约翰·古德曼,迈克尔·安格拉诺,凯尔·加尔纳秒速5厘米真人版
松村北斗,高畑充希,森七菜,青木柚,上田悠斗,白山乃爱,木龙麻生,宫崎葵,吉冈秀隆,冈部敬史,中田青渚,田村健太郎,户塚纯贵,莲见翔,又吉直树,堀内敬子,佐藤绯美,白本彩奈三十九级台阶
罗伯特·多纳特,玛德琳·卡洛,露西·曼海姆,戈弗雷·特尔,佩吉·阿什克罗福特,约翰·劳里,海伦哈耶,怀利·沃森,格斯·麦克诺顿,查尔斯·贝内特,马修·博尔顿,阿尔弗雷德·希区柯克,迈尔斯·马勒森,弗雷德里克·派珀,约翰·特恩布尔,Frank Cellier,Jerry Verno,Peggy Simpson,Ivor Barnard,Noel Birkin,Carleton Hobbs,Vida Hope,Elizabeth Inglis,James Knight,Hilda Trevelyan,S.J.观光路线
乔什·杜哈明,丹·福勒,米勒克尔·劳丽,Christie Burson,彼得·迈克尔·戈茨人气佳作
疯狂的酒局
王李丹鈮,丁海峰,李国麟,杜玉明,徐光宇,韩三明,张贺,戴天,朱楒忆水底惊魂
丹尼尔·祖瓦图,邦妮·丹尼森,克里斯·康罗伊,乔尼·奥尔西尼,葛瑞芬·纽曼,Mackenzie Rosman,马克·马戈利斯消失的证据
郑媛元,王帅,高迦澜死亡真面目2026
戴克·蒙哥马利,芭比·费雷拉,查莉XCX,杰拉德·班肯斯,杰梅因·福勒,乔西·托塔,布里顿·韦伯,J·D·埃弗摩尔,亚伦·霍利戴,萨拉·沃伊特,Kyle Nordby,Nathaniel Woolsey,Brandon Sutton, 塔达赛·杨,Anne Brown Petersen,贝茜·波雷戈,Paris Peterson,Mia Naipaul,Jonathan Shores Aponte-Velazquez,维多利亚·哈里斯导演精选
千万不要跟着我
卡拉梦为了成为知名的网红，决定在自己的公寓里伪造一场闹鬼事件。然而令她没想到是，她的行为意外招来了不怀好意的东西。
警长索恩：贪睡鬼
一起连环凶杀案吸引了警长索恩（大卫·莫瑞瑟 David Morrissey 饰）的注意，这位穷凶极恶的凶手手中已经有了三条人命，然而，第四名受害者却侥幸逃过一死。警方和民众都认为这是凶手的百密一疏造就的结果。然而，可怕的是，没过多久，索恩就发现，犯错的不是凶手，而恰恰是自己，因为尽管保住了一命，但这位幸存者却无法提供任何情报。 几起在同一时间、使用同一手法在两个不同地点作案的谋杀案让警长索恩十分警觉，随着时间的推移，迷雾渐渐拨开，他发现，自己所要面对的并非仅仅一名嗜血残暴的杀人魔王，而是两个在暗地里相互勾结、相互鼓励的反社会分子。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.