被老师操纵的女人

 影片由一系列音乐片断构成，由擅长歌舞巨片的马克·桑德里区执导。其中每一首插曲都以美国的节假日为线索，又都巧妙地集中到一对情敌的身上。本片获1943年第15届奥斯卡最佳编剧和最佳音乐奖提名！一家开设在公路边的旅馆，两个年轻的合伙人哈迪和海诺沃同时爱上了一位姑娘。海诺沃（由著名舞蹈家弗雷德·阿斯泰尔饰）尽管在爱情的追逐中连连占先，但最终还是败给了哈迪（由著名歌星宾·克罗斯比饰）。哈迪是位酷爱音乐的懒散的人，他退休回到新英格兰农村，每逢节假日，他的农场就成了娱乐总会……

阿格内塔是个色彩鲜明且幽默的人，但表面上并不明显。她刚满49岁，孩子们已经离巢，交通办公室的工作停滞不前，阿格内塔感到自己像个透明人。而她的丈夫则通过泡冰水澡和穿着昂贵装备快速骑行找到了生活的意义。为了逃离日常生活的枯燥枷锁，阿格内塔离开了安全的瑞典生活，去法国为一位瑞典男孩做保姆。然而，当男孩艾纳尔其实是一位年迈古怪的疯狂绅士时，误会成了事实。这成为一段混乱而充满生命力的友谊的开始，彻底颠覆了阿格妮塔对生活和自我的认知。因为一个人到底怎么能活出自己宝贵的生命呢？

　　曾经的约翰（卢克·威尔逊 Luke Wilson 饰）是一名风光无限的商人，偌大的豪宅，漂亮的妻子，可爱的女儿，当金融危机爆发之时，约翰所拥有的这令人羡慕的一切都在转瞬间成为了巨大的负担，他和妻子之间原本美满的感情也产生了裂痕。　　经历了糟糕的一天后，约翰拖着疲惫的身躯回到家，这时，一个名叫里奇（塞缪尔·杰克逊 Samuel L. Jackson 饰）的陌生人拦住了约翰，希望得到他的帮助。让约翰没有想到的是，里奇竟然是一名杀手，可是，里奇却并没有杀死约翰，正相反，在莫名其妙之中，约翰和里奇一同踏上了一段充满了鲜血和杀戮的恐怖旅程。随着时间的推移，约翰渐渐开始怀疑，他和里奇之间的相遇究竟是偶然还是必然。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster