强奸3OL诱惑
香港未来特首被控强奸罪名!张文慈幕前性感火辣第一次。应届特首热门人选李志信(方中信饰)因工作上压力,经常有女性赤裸裸出现的幻觉,巧遇前度恋人何慧仪(张慧仪饰),一个心理专家,替志信治疗;未久,志信被警方拘捕,控以强奸女秘书刘文慈(张文慈饰)罪名……究竟志信有否强奸文慈,一个极具悬疑的故事艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan2001年香港特首角逐,特首热门候选人李志信(方中信)因工作上压力,经常有幻觉女性赤裸裸出现在面前,巧遇旧恋人心理专家何慧仪(张慧仪饰)替志信治疗。不久他卷入强奸下属性丑闻,被警方拘捕,罪名是强奸女秘书刘文慈(张文慈饰)。其中有催眠术制造他幻觉局部失忆。经过杂差警探(雷宇扬)破案,实际上不是政治阴谋,而是方中信被人陷害。
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月影杀痕
波伊德·霍布鲁克,克利欧佩特拉·科尔曼,博基姆·伍德拜因,迈克尔·C·豪尔,鲁迪·达马林加姆,Al Maini,Quincy Kirkwood,莎拉·杜格代尔,瑞秋·凯勒,Ryan Allen,托尼·纳波,Philippa Domville,托尼·克雷格,加布里埃尔·格雷厄姆,Julia Knope,默里·弗罗,大卫·麦金尼斯,德尔菲娜·鲁塞尔,胡安·卡洛斯·韦利斯,泰德·麦克马洪,爱德华·伦德尔,妮卡·埃利奥特1988 年,心怀侦探梦想的费城警官托马斯·洛克哈特(波伊德·霍布鲁克饰演)开始追踪一名连环杀手,此人每隔 9 年就神秘地出现一次。但是当杀手的罪行开始违背所有的科学解释时,洛克对真相的痴迷可能会毁掉他的事业、家庭,甚至是他的心智。《月影杀痕》是一部混合题材的心理惊悚片,探讨了时间的力量,以及时间的流逝如何使我们相聚又分开。该片由吉姆·米可执导,其他主演包括迈克尔·C·豪尔和克利欧佩特拉·科尔曼。
僧侣
文森特·卡塞尔,黛博拉·弗朗索瓦,约瑟芬·约比,塞尔希·洛佩斯,凯瑟琳·蒙切特,乔迪·道德尔,杰拉丁·卓别林,罗珊妮·杜兰,Frédéric Noaille,Javivi,Martine Vandeville,Pierre-Félix Gravière,塞尔日·费拉德,恩斯特·吴默埃,Jean-Francois Vendroux,让-克洛德·杜芬阿姆布罗瑟(文森特·卡索 Vincent Cassel 饰)是一名非常虔诚的修道士,早就发誓将自己的身体和心里全权交由上帝管理。苛刻而又严格的他对教义有着自己独特的理解,他觉得世人每一日都在玷污上帝的存在。玛蒂娜非常的崇拜阿姆布罗瑟,她的顺从和服从激发了阿姆布罗瑟潜藏在心底的兽欲,欲望一旦被激发,就无法收拾,阿姆布罗瑟一步一步向着深渊走去。 安东尼娅(约瑟芬·约比 Joséphine Japy 饰)是常常前往修道院为自己的母亲祷告的女孩,她的纯洁吸引了阿姆布罗斯的注意,后者为了能够占有她的身体,不惜设计将她的母亲杀死。最终,阿姆布罗瑟的种种罪行被一个贵族青年给发现了。
回廊亭杀人事件
常盘贵子,内藤刚志,田中圭,田中哲司,赵珉和,德永绘里,入来茉里,井口恭子,増田修一朗,国生小百合,丰田真帆,松尾谕显赫富商一原高显(北村总一朗 饰)病故,他的亲属们齐齐来到高级日式客栈“回廊亭”举行断七法事,当然最令他们关心的还是遗产分配事宜。每个人都心怀鬼胎,渴望获得最大利益,也格外防备着其他人的算计,所谓亲情变得不值一提。就在这一关键时刻,一名神秘而美艳的女子突然出现在一原家面前,她自称本间美代子(常盘贵子 饰),是与死者生前颇有渊源的老婆婆的女儿。夜深人静,做梦发财的贪婪之人没有等到他们的遗产,反而等来死神的光临。破灭的爱情,破败的人生,曾经种下的恶缘种子,在回廊亭开始发芽。 本片根据东野圭吾的原作小说改编。
六号关口
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完美伴侣2025
索菲·撒切尔,杰克·奎德,卢卡斯·盖奇,梅根·苏丽,哈维·吉兰,鲁伯特·弗兰德,雅布其·杨-怀特,马克·门查卡,伍迪·傅,Matt McCarthy,Ashley Lambert讲述了一个迷人而又变态的人和一个被他玩弄于股掌之间的女人之间扣人心弦的故事。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster