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反防御
莉诺·赞,莫里·柴金妈妈：来自Neraka的祝福
汉娜·阿尔·拉希德,卡莉斯塔·阿鲁姆,Nova Eliza养鬼吃人4
Charlotte Chatton熊猫计划之部落奇遇记
成龙,马丽,乔杉,于洋,王影璐,张子栋,王成思,柯达,宋木子,冯满,王星,潘斌龙,于荣光,胡笑源乐开怀
米歇尔·菲佛,菲丽希缇·琼斯,科洛·葛蕾丝·莫瑞兹,伊娃·朗格利亚,詹森·舒瓦兹曼,丹妮尔·布鲁克斯,茉德·阿帕图,丹尼斯·利瑞,多米尼克·塞萨,陈冲,哈瓦娜·罗丝·刘,黛芙芮·雅各,海蒂·纳赛尔,塞尔吉奥·杜克,伊桑·科斯塔尼拉,赛迪·司各特,Rashal James,杰西贾姆斯·洛科里埃,罗克茜·里韦拉,Audrey Hui超能力者
姜栋元,高修,郑恩彩同类精选
肤色
乔纳森·塔克,杰克逊·罗伯特·斯科特,丹妮尔·麦克唐纳,朗尼·查维斯,贾里德·戴,山姆·狄龙,迈克尔·维拉尔本能反应
安东尼·霍普金斯,小库珀·古丁,唐纳德·萨瑟兰唱歌的六个女人
竹野内丰,山田孝之,水川麻美,アオイヤマダ,服部树咲,萩原实里,桃果,武田玲奈,津田宽治,白川和子,竹中直人窥镜
尼古拉斯·凯奇,罗宾·汤尼,马克·布鲁卡斯,厄尼·里夫利,雅克·格雷大帝机器人
伊武雅刀,洞口依子,森本治行,吉田友紀约束的罪行
塞西莉亚·罗特,米格尔·安吉尔·索拉,本杰明·阿玛迪奥,索菲亚·哥拉,亚尼娜·阿维拉,迭戈·克雷莫内西,保罗·巴林托斯,马塞洛·索比奥托,玛丽娅·玛努尔,马塞洛·丹德烈亚,克拉拉·科瓦西奇影视排行
六百英里
蒂姆·罗斯,哈里森·托马斯,莫妮卡·德尔·卡门,格瑞格·鲁兹,哈里斯·肯德尔,诺伊·埃尔南德斯亚利桑那州的枪枝商店内，白人男孩负责买枪，再交由开卡车的墨西哥少年穿越美墨边境，运到贩毒大本营西纳洛亚。毒枭媲美军队的强大火力，拜美国松散的枪械管制之赐。少年工作如常，浑然不觉已被资深探员汉克盯上，但正当汉克准备逮捕他们时，却反遭撂倒沦为人质。不知所措的墨西哥少年，竟决定带他回墨西哥。分属对立阵营的两人，就此命运紧紧相连，开向未知。 导演加布里埃尔·利普斯坦获第65届柏林电影节最佳处女作奖。
关于我转生变成史莱姆这档事苍海之泪篇
堂本光一舞台设定在崇拜水龙守护神的海底王国「海炎国」，这里因神秘污染和“强行唤醒沉睡水龙”的阴谋陷入危机。利姆露一行人原本是来海岛度假，却被卷入这场深海危机，从悠闲摸鱼被迫营业，潜入苍海深处揭开阴谋、阻止海底文明覆灭。
凯多湖的消失
迪伦·奥布莱恩,伊莱扎·斯坎伦,黛安娜·霍佩尔,卡罗琳·福克,山姆·亨宁斯,埃里克·兰格,劳伦·艾波罗丝,Nina Leon,兰斯·E·尼克尔斯,大卫·马尔登那多,基姆·巴蒂斯特,Jody Sellers,Greysen Conley,Jules Hilillo Fernandez,Jennifer Sellers,Larry S. White II,A.C. Cooper,Zedrick Tinsley,Elizabeth Feliciano一个8岁的女孩神秘地消失在卡多湖上，一系列过去的死亡和失踪开始联系在一起，永远改变了一个破碎家庭的历史。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.