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伊利亚·伍德将主演犯罪题材惊悚片[无主之人](No Man Of God,暂译)。Amber Sealey执导,C·罗伯特·嘉吉([险恶])操刀剧本。影片设定在一个单独的审讯室中,故事根据FBI心理分析师比尔·哈格迈尔(伍德饰)与连环杀手邦迪于1984年至1989年之间的对话文字摘录改编,影片将详细介绍邦迪在死囚牢房最后几年间,两人之间复杂的关系。
A filmmaker discovers a box of video tapes depicting two students' disturbing film project featuring a local horror legend, The Peeping Tom. As he sets out to prove this story is real and release it as a work of his own, he loses himself and the film crew following him into his project.
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
1)魔术师但丁依靠神秘的斗篷在时尚都会挣下超高的人气,但是斗篷中藏着可怕的秘密,但丁则用录像记录下了一切。直到某天助理斯卡莉特将录像带交给警方,一切昭然若揭;2)野生科学家阿方索制造了一个连通平行空间的大门,他和另一个世界的自己交换空间,到对方的世界进行15分钟的探险,却发现彼此的世界有着天壤之别。3)三个热衷做极限运动的年轻人偶然来到一处画着神秘图案的场所玩耍,不知不觉中遭到一群恐怖之人的包围和袭击;夜幕下的城市突然响起刺耳的警笛声,警方和疯狂逃跑的冰淇淋车展开夺命追逐。卡文和女友艾瑞丝外出张望,谁知一转眼艾瑞丝竟消失不见,卡文疯了一般四下寻找。现代化的社会,人们依赖影像大刷存在感,却都变成了转瞬即逝的数据碎片……