三个瑞典美女在上巴伐利亚

★ 9.9 播放:91万 更新:2026-05-25
主演: 罗斯蒙德/

在阿尔卑斯山北部边境的小镇,一切生活都是美好艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。但是,负债累累的旅游酒店的老板奥托却很绝望,因为他的酒店要在3天后被打上封条扣押了,酒店真正拥有者、他的妻子奥尔加知道银行有备案再借高贷也难,正与奥托闹得不快。万般无奈之际,奥托同他的朋友阿洛伊斯去了斯德哥尔摩,意图通过展示这个上巴伐利亚州小镇美丽的风光和纯朴的风俗,来吸引投资。他们在那里果真得到了3个俏皮的瑞典女郎布里吉特、乌拉和薇薇的帮助,随他们一起回到德国。事实表明,3个女孩彻底挽救了奥托的财务和感情危机......

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剧情简介

在阿尔卑斯山北部边境的小镇,一切生活都是美好艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。但是,负债累累的旅游酒店的老板奥托却很绝望,因为他的酒店要在3天后被打上封条扣押了,酒店真正拥有者、他的妻子奥尔加知道银行有备案再借高贷也难,正与奥托闹得不快。万般无奈之际,奥托同他的朋友阿洛伊斯去了斯德哥尔摩,意图通过展示这个上巴伐利亚州小镇美丽的风光和纯朴的风俗,来吸引投资。他们在那里果真得到了3个俏皮的瑞典女郎布里吉特、乌拉和薇薇的帮助,随他们一起回到德国。事实表明,3个女孩彻底挽救了奥托的财务和感情危机......

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我当你兄弟

两个黑帮大佬和他心爱的女人,度过人生中最玩命的一夜求生战。一部“时光机”的出现,令这一夜瞬间变成时空错乱的闹剧……

狗舍

  为了帮助好友文斯(斯蒂芬·格拉汉姆 Stephen Graham 饰)度过伤心的离婚,一群好友尼尔(丹尼·戴尔 Danny Dyer 饰)、科勒雷(比利·穆瑞 Billy Murray 饰)、米奇(洛尔·克拉克 Noel Clarke 饰)、马特(李·恩格里比 Lee Ingleby 饰)等人带着他前往一偏僻小镇度假。本以为去的是人间天堂,结果他们却发现这里根本就是地狱,因为这里的女人都染上了怪病,会像僵尸一样袭击、吃掉所有男人。尽管这些男人平时都是唯唯诺诺的“妻管严”,但是面对女僵尸他们绝不手软,于是一场好好的度假彻底沦为了爷们儿大战女僵尸的战争。

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster