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惊声尖叫7
内芙·坎贝尔,伊莎贝尔·梅,柯特妮·考克斯,梅森·古丁,贾思敏·萨沃伊·布朗,大卫·阿奎特,马修·里沃德,斯科特·弗利,塞莱斯特·奥康纳,阿萨·格尔曼,麦肯娜·格瑞丝,萨姆·雷希纳,米歇尔·兰道夫,吉米·塔特罗,安娜·坎普,乔尔·麦克哈尔,马克·康苏斯,伊桑·恩布里,维克托·特平,Scott Allen Frederick,艾米·彭伯顿,Josh Thrower,Cyle Winters,罗格·杰克逊漆黑如夜
Lukas Haas,凯文·杜兰学园便利屋
古川登志夫,平松広和,関俊彦,荘真由美,塩沢兼人看得见时间的男人
余洺轩,郭宽尸骨袋1
皮尔斯·布鲁斯南,梅利莎·乔治,安娜贝丝·吉什,阿尼卡·诺尼·罗斯,马特·弗里沃,杰森·普雷斯利,凯特琳·卡迈克尔,彼得·麦克内尔,威廉·沙勒特,黛博拉·艾伦,Gary Levert,Joel Freckelton,乔迪·布朗无归客
宋洋,陈立农,姜珮瑶影视排行
秩序的守护者
Cécile De France,Julien Boisselier在一次例行的夜间巡逻，警察朱莉和西蒙不慎伤了一个副局长的儿子，在昏迷状态，没有明显的理由下，他暴力的杀死了他们的同事，面对纪律处分，他们得不到上级的支持，在为他们的报告进行调查的过程中，发现在这个年轻人的房子有一个奇怪的药物。他们决定自己进行调查，发现一个新的网络化制造贩卖非法毒品的组织……
女人们的谈话
鲁妮·玛拉,朱迪思·爱薇,艾米丽·米切尔,凯特·哈莱特,丽芙·麦克尼尔,克莱尔·芙伊,希拉·麦卡锡,杰西·巴克利,米歇尔·麦克劳德,基拉·古洛安,莎伊拉·布朗,弗兰西斯·麦克多蒙德,薇薇安·安迪克特·道格拉斯,本·卫肖,奥古斯特·温特,洛克兰·雷·米勒,纳撒尼尔·麦克帕兰德,威尔·宝,伊里·哈姆,艾米丽·德雷克,马库斯·克雷格,卡罗琳·吉利斯来自与世隔绝的宗教社区的妇女们努力使她们的现实与她们的信仰相协调。通过背景故事，我们看到一个妇女社区聚集在一起，研究如何共同前进，为她们自己和她们的孩子建立一个更美好的世界。要么留下来战斗，要么离开。她们不会什么都不做。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
花魁～SAGA
冲田杏梨,佐山爱,盐谷瞬現代東京，三位女性——愛、瑪麗、杏珠——在繁忙與孤獨的⽣活中尋找愛與⾃我。某⽇，她們⼀同前往溫泉旅⾏，在閃爍的燈光與笑聲之間，⼀道神秘的閃光將她們帶入時空裂縫。當她們再次睜眼，眼前已成為⼀個充滿異⾊與絢爛的幻夢世界——「仮想・吉原」。在這座融合江⼾、⼤正與現代意象的花街中，她們分別化身為花魁「三浦太夫」、「薄桜」、「富⼠太夫」，成為欲望、權⼒與愛情交錯的舞台中⼼。