爱的调教
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
在线看
同款热播
国宝2025
吉泽亮,横滨流星,渡边谦,高畑充希,寺岛忍,田中泯,森七菜,见上爱,永濑正敏,黑川想矢,三浦贵大本片改编自吉田为了采访3年，穿着歌舞伎的黑衣进入后台的经验而写出的长篇小说，出生于任侠一门、投身于歌舞伎世界、将青春献给演艺之路的喜久雄，赌上自己的生命去追求无尽的梦想的宏伟故事：舞台是从战后到高度经济成长期的日本。出生于任侠家族的喜久雄，遭遇了数奇的命运，被拽到歌舞伎演员的家中。不久后，在动荡的人生中，他作为歌舞伎演员的才能开花结果。
嗜血之夜
Nate Dushku,Samantha Facchi,Danielle Harris一群十几岁的少年庆祝一个本地连环杀人犯的忌日，突然发现他们自己与这个困扰的城市传说的现实面对面。
静水
泰勒·瑞特,Eric Michael Roy,卡莲娜·布里奇,Paul Elia,Nino Aldi在明尼苏达州北部的“边界水域”中，六个老朋友之间的周末露营之旅在神秘的环境下死亡后变得悲惨起来，随着他们企图在本集团内揭露杀手，引发进一步的动荡。
我住在凡尔赛的日子2025
Nina Perez-Malartre,Emi Lucas-Viguier,Malcolm Vallet,安娜·阿尔瓦罗,席琳·荣特,雅各布·韦伯,阿丽亚娜·阿斯卡里德,蒂埃里·莱尔米特,安托万·赖纳茨,Renan Cros,Julien Sibre,Oussouby-Junior Fofana,Madoussou Camara,Jaynelia Coadou,玛佳丽·罗森茨威格故事围绕着八岁的维奥丽特展开。在父母离世后，她搬到了脾气暴躁的舅舅雷吉斯家中生活。雷吉斯是凡尔赛宫的一名维修工人。他们一起度过了人生中的种种难关，在凡尔赛宫的历史背景下建立了深厚的感情。
杰夫·罗斯：带蕉上路
杰夫·鲁斯在9月29日结束为期八周的有限活动后，《香蕉骑行》据说向罗斯展示了不同的一面，这是一场结合了喜剧、自传体故事和音乐元素的更个人化、更发自内心的表演。这部剧是关于庆祝生活、纪念损失和为生活中的意外事件做好准备。
公寓2024
斯文·索奇塔,细田善彦,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.