剧情纵览
在美国出生长大的昌杜是一个认为爱就是伤痛的花花公子,在前女友的陷害之下不得不支付巨额赔款,为了凑钱昌杜第一次回到了印度并在机场结识了桑蒂雅。为了从爷爷手里拿到钱,昌杜谎称自己将回到印度工作并说自己已经结婚,演戏欺骗桑蒂雅帮助自己扮演夫妻,在家庭生活之中昌杜感受到了爱与温暖。
在美国出生长大的昌杜是一个认为爱就是伤痛的花花公子,在前女友的陷害之下不得不支付巨额赔款,为了凑钱昌杜第一次回到了印度并在机场结识了桑蒂雅。为了从爷爷手里拿到钱,昌杜谎称自己将回到印度工作并说自己已经结婚,演戏欺骗桑蒂雅帮助自己扮演夫妻,在家庭生活之中昌杜感受到了爱与温暖。
在美国出生长大的昌杜是一个认为爱就是伤痛的花花公子,在前女友的陷害之下不得不支付巨额赔款,为了凑钱昌杜第一次回到了印度并在机场结识了桑蒂雅。为了从爷爷手里拿到钱,昌杜谎称自己将回到印度工作并说自己已经结婚,演戏欺骗桑蒂雅帮助自己扮演夫妻,在家庭生活之中昌杜感受到了爱与温暖。
An isolated town in Alaska where a contamination occurs after a minor meteorite explosion.
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
In the futuristic city of Vanille, with properly tuned ImmerSyst Eyes & Ears the world can look and sound like a paradise. But the life of a father and his young son threatens to disintegrate when the father's device begins to fail. Desperate to avoid facing his own traumatic reality, the man must venture outside to find a replacement, into a city where violence and danger lurk beneath a skim of beautiful illusion.
We don't see the woman on the train moving through Sichuan, just the trees, rivers, lakes and houses passing by the window, vanishing behind the blur of vegetation, segmented by the tunnels.