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马纳夫·卡尔,薇迪亚·巴兰,莎法莉·什提,罗希尼·翰塔伽蒂,Sofiya Khan,Vidhatri Bandi,Iqbal Khan,阿巴斯·达拉勒,Mangesh Desai,Gurpal Singh,朱奈德·汗,Vijay Nikam,Ghanshyam Lalsa,Surya Kasibhatla,Shrikant Yadav绿液惊魂
乔·基瑞,连姆·尼森,乔治娜·坎贝尔,索茜·贝肯,瓦妮莎·雷德格雷夫,莱丝利·曼维尔,亚伦·赫弗南,埃洛拉·托尔基亚,罗伯·柯林斯,贾斯汀·塞林格,加文·斯波克斯,安德鲁·布鲁克,达雷尔·席尔瓦,露伊萨·里希特,纳赫尔·策盖,丹尼尔·里格比,克莱尔·霍尔曼,瓦伦蒂娜·波普科娃,纳纳·詹姆斯96分钟:列车爆炸案
林柏宏,宋芸桦,王柏杰,李李仁,姚以缇,蔡凡熙,李铭忠,黄奇斌,吕雪凤,郑志伟,陈雪甄,巫建和,孔令元,林昀希,邹承恩入主客房
圭多·卡普里诺,卡米拉·菲利皮,爱德华多·佩谢,Romeo Pellegrini抢钱大作战
吉奥瓦尼·瑞比西,范·迪塞尔,尼娅·朗,尼基·凯特,本·阿弗莱克,汤姆·艾弗瑞特·斯科特诅咒项链
维奥莱特·麦格劳,玛德琳·麦格劳,亨利·托马斯,莎拉·林德,罗马·玛菲娅,菲利斯·索利斯,雅各布·莫兰,克里斯蒂娜·摩尔,Archer Anderson,Amato D'Apolito,Connor Hammond,马特·福勒,丹妮拉·麦斯米兰,阿里·阿夫沙尔,Brynne Kurland,罗琳·约克,Charlotte Haynes Hazzard,Tony Panterra,Johnny Afshar,Madeleine Curry天鹅中的狼
达里奥·格兰迪内蒂,David Atrakchi,玛佳丽达·维拉·诺瓦同系列推荐
重庆森林
林青霞,金城武,梁朝伟,王菲,周嘉玲吉时已到2026
圆子,无恙,南宫承,南宫宇,单贰叁,啵啵,灵川,花花,谢居海,吴国庆关你茶室
Yuriko Heng,K-Lao,赖宇涵,李国煌,Morn Liew,Joshua Se,Songbill,邓金煌,Mayjune,黄楚琳,王竣鼠胆威龙
张子栋,徐巾淇,赵雷棋,武文佳,强巴才丹,刘佩琦,李奎,张庆庆,巩小榕埃塞尔阿姨的万圣节
Chris Cavalier,Melissa Daddio,西恩·迈克尔·格洛里亚,Jason Henne,Rhyssa-Kathryn Marie,Jovanni Mazzaferro,Lisa Mcconnell,Madeleine Murphy,Kierney Nelson,Stephanie Town,Gail Yost协议
贝伦·鲁埃达,米蕾娅·奥利奥,达里奥·格兰迪内蒂,安东尼奥·杜兰·莫里斯,乔斯因·本格特伊,卡鲁斯·法布雷加,瓦内萨·布查卡,塞巴斯蒂安·蒙特奇诺幕后花絮
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
间谍2013
外表平平的金哲秀(薛景求 饰)是大韩民国的一名身怀绝技、勇武干练的特工,但在日常生活中他伪装身份,连妻子英熙(文素丽 饰)也对其真身一无所知。在老婆面前,他是唯唯诺诺,毫无气场的普通上班族。哲秀就在危险和平凡中小心翼翼保持平衡。某天,即将参加六方会谈的朝鲜代表白武镇乘坐的飞机被恐怖分子击落。由于该次会议事关重大,影响着南北统一和放弃核武的协议签订,因此韩方派出金哲秀和搭档们去泰国营救白武镇拥有丰富核武制造经验的女儿白雪希。与此同时,身为空姐的英熙在和丈夫吵完架后飞赴海外,途中邂逅了英俊帅气的男子莱恩,殊不知此人正是暗杀白武镇的冷血杀手。危机重重的泰国,金秀哲经历着来自国家和家庭的严峻考验……