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异形：夺命舰
卡莉·史派妮,戴维·荣松,阿奇·雷诺,伊莎贝拉·莫塞德,斯派克·费恩,吴爱玲,丹尼尔·贝茨,伊安·霍姆,特雷沃·纽林,罗伯特·勃洛克茨基,安妮玛丽·格里格斯,罗茜·伊德,索玛·西蒙,本斯·欧科克,维克托·欧利祖影片时间线设定在1979年第一部《异形》与1986年的续集《异形2》之间，围绕一群年轻而勇敢的太空殖民者展开。讲述他们为逃离外星采矿殖民地的沉闷生活，在冒险探索一座废弃的太空站时，意外遭遇了宇宙中最可怕的生命体——异形。 狭窄幽暗、危机四伏的空间站中，大逃杀的序幕已经被无情拉开，人类再次成为异形生物捕猎的目标。在无尽的黑暗与死亡威胁的笼罩之下，太空探险队员们能否在每一次心跳的瞬间，察觉到未知生物潜伏的丝丝寒意？在这场你死我活的追逐战中，他们将直面怎样的信任挑战和道德挣扎？当一个又一个同伴被残忍吞噬，求救无门的他们究竟能否在这场太空杀戮中寻得一线生机？
写在大地上的诗
兰岚,查岭该片是国家广播电视总局2024年度电视剧引导扶持专项资金和“深入生活、扎根人民”倾斜项目，通过诗人田地发现田间、走进历史、重写戎冠秀的故事，用诗歌去表达还原当时戎冠秀支援前线的历史，通过网络让观众熟知悉那段拥军，爱军的模范事迹。
中华战士
杨紫琼,吴耀汉,尔冬升,卢冠廷,刘芊蒂,松井哲也,陈敬,张耀星,赵志凌,冯克安,黄正利,谷峰,刘晃世,罗莽,谭伟民影片以悲壮的笔触，描述了30年代时期，不丹国卡尔城金将军与日军勾结，在城里生产毒气，中国派遣特务“天字第一号”和现代镖局负责接出城主尤达。女镖师阿琼在爱慕尤达的金将军女儿芊芊帮助下，意欲和尤达一起逃走，但“天字第一号”力主要破坏毒气计划，结果被抓。金将军为救爱女，反过来帮助他们，与日军开始一场大战。
噪声
李先彬,金玟锡,全益玲,刘庆秀有听力障碍的珠英（李先彬 饰），与妹妹珠憘（韩秀娥 饰）终于买下梦寐以求的新房，却没想到噩梦才正要开始。 某天起，珠憘开始被来自公寓某处的神秘噪音折磨得身心俱疲。那让人不耐的楼层噪音，不仅让她无法安睡，更像是潜藏某种黑暗秘密的警告。正当珠英离家工作时，珠憘突然失踪，让惊慌失措的珠英立刻赶回家，并与珠憘的男友基勋（金珉锡 饰）联手追查真相。同时，住在楼下的神秘男子（柳炅秀 饰）也长期受噪音困扰，认定一切都源于楼上的这对姊妹，让他情绪逐渐崩溃，扬言要对她们痛下杀手…… 真相究竟藏在谁的耳中？噪音背后，又是谁的疯狂正在近逼？
怒兽出笼
丹尼尔·麦克弗森,卢克·海姆斯沃斯,罗素·克劳,布伦·福斯特,莫让·阿里亚,马特·纳夫莱,凯莉·盖尔,内森·菲利普斯,Amy Shark,埃莉扎·德苏扎,CJ·布隆菲尔德,乔治·布吉斯,Callan Colley,Saphira Moran,George Tilley,Liam Resnekov,罗基·弗里杰里奥,Alex BallesterosStory follows an out-of-work steel worker as he struggles to provide for his family and avenge his brother's death by fighting in a mixed martial-arts match against a dangerous opponent.
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster