色情头皮管理店
她们的头皮管理店贵是有原因的? 有一次没来过的客人 没有只来一次的客人 这头皮管理店的秘诀是什艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan!
即刻观影
剧情赏析
编辑推荐
求药
何一诺,刘平,李思韵,孛玺宇,胡轶凡,孙梓屹,徐丹,王成,冯丹影片讲述父亲张释全因过失导致女儿身亡后误入邪教,试图通过求取神药救治重病儿子,在目睹妻子遭受邪教迫害后幡然醒悟,最终联合妻子揭露邪教并将其绳之以法,使儿子获得正规医疗救治的故事。
没有面孔的眼睛
皮埃尔·布拉瑟,爱迪丝·斯考博,阿莉达·瓦利,朱丽叶特·麦涅勒,亚历山大·里尼奥,贝亚特丽斯·阿尔塔里巴,夏尔·布拉韦特,克洛德·布拉瑟,米歇尔·埃切韦里,伊薇特·埃蒂耶旺,勒内·热南,吕西安·于贝尔,马塞尔·佩雷斯,弗朗索瓦·介朗生物学教授詹尼西尔(Pierre Brasseur 饰)因一次车祸使心爱的女儿克莉丝汀(Edith Scob 饰)面容尽毁,女儿伤愈后只能终日戴着瘆人的白色面具,痛苦非常。爱女心切且心怀内疚的詹尼西尔与助手路易丝(Alida Valli 阿莉达•瓦莉 饰)伪装克莉丝汀失踪、死亡的假象,暗中诱拐与女儿年龄相仿的女性,将其麻醉后剥掉面皮,移植到克莉丝汀脸上。 但手术接连失败,牺牲者也不断增加。亲眼所见诸多同龄女孩惨遭杀害,克莉丝汀心中痛苦不已。另一方面,众多女孩失踪的案件也引起了警方的注意,他们逐渐将目标锁在疯狂的詹尼西尔身上……
退伍军官
亚尼·卡普尔,莫娜·辛格,拉狄卡·马丹,Aditya Rawal,沙鲁巴·舒克拉,Faisal Malik,Amit Jha,Vikram Pratap,Harsh Purwar,Lata Shukla,Esha Shital曾经为国家而战的男人,如今必须对抗来自内部的敌人,才能守护自己的家园与家人。
脆弱的男人
亚辛·侯伊卡,欧莱雅·阿玛拉,拉斐尔·奎纳德,Bilel Chegrani,迪翁-克巴·塔库,蒂法因·戴维斯,霍莉·法特玛,吉列尔莫·吉兹,萨米拉·塞迪拉,Olivier Soula,Marion Guerrero,Tigrane Avedikian,Juliette Cardinski,Thomas Bricmont,Roméo De Lacour,Marvin Pellegrino,艾玛·贝内斯坦,Aurélien Marra,塔萨迪特·曼迪,Atmen KelifAz 在 Sète(法国南部)的一个牡蛎养殖场工作,他非常熟悉牡蛎,曾打开过成百上千个,一天,他决定藏一枚戒指在其中一只牡蛎中,向他的女友 Jess 求婚,但是对方没有答应。不过幸运的是,他的一群朋友已经准备好帮他重新振作起来。 Az travaille chez un ostréiculteur à Sète. Les huîtres il connaît ça par cœur, il les ouvre par centaines. Dans l’une d’elle, Az décide de cacher une bague, pour demander sa petite amie Jess en mariage. Elle ne dit pas oui. Heureusement, sa bande d’amis est prête à tout pour l’aider à sortir la tête de l’eau.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
超级马力欧银河大电影
克里斯·帕拉特,安雅·泰勒-乔伊,查理·戴,杰克·布莱克,布丽·拉尔森,唐纳德·格洛弗,本·萨弗迪,科甘-迈克尔·凯,凯文·迈克尔·理查德森,路易斯·古兹曼,伊萨·雷,格伦·鲍威尔,萝珊娜·奥德嘉重返奇妙世界,探索浩瀚宇宙,罗莎塔公主、酷霸Jr.、耀西等更多惊喜角色登场,开拓更宏大酷炫的版图,呈现更精彩纷呈的冒险。