驯男记

4.5 播放:14万 2026-05-26
主演: 未知/

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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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一个东南亚小镇中,卷王警察于大海(彭于晏 饰)起早贪黑,努力工作,让小镇连续7年维持0犯罪率。结果因为没有案子,警察将被全员辞退,“铁饭碗”成了“塑料碗”,为保住工作,于大海决定和队友们一起造个大案。与此同时,真正的大案正在发生,前来投奔罗四季(艾伦 饰)的盗墓贼罗浩(周游 饰)、牛大轮(闫佩伦 饰)一家人,盯上了传说中藏有宝藏的古墓,而这个古墓就在警局之下......

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  黄浦江畔,杀机四伏,规则是否能由“她”重写?刀光里是黑帮的血腥,阴影下是性别枷锁的崩裂——多年银幕未见之大女主暴力爽片。  卧龙帮少主武青青,家族遭戮,自身遭叛,从猎物化身猎手;她隐于暗处,每一张笑脸背后,都可能藏着致命的匕首,日本商会登堂入室,内鬼隐匿于至亲之间,无间道中再掀无间,信任是奢侈品,每一步都是悬崖!她将如何撕下那一张张虚伪面具?奸,是叛帮之徒,是入侵之敌,还是枕边之人?  风暴已至,“除奸”成为唯一信条……