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阿米达普·巴强,埃朗·哈斯米,Krystle D'Souza,雷亚·查克雷伯蒂绫音的高踢腿
宫村优子,川村万梨阿,西原久美子,大塚明夫,山口胜平团战之夜
山姆·洛克威尔,史蒂夫·马克,坦娅·范·格拉恩,卡西尔·伊托克-威尼克,朱诺·坦普尔,迈克尔·佩纳,海莉·露·理查森,莎姬·贝兹,阿西姆·乔杜里,汤姆·泰勒,Adam Burton,迪诺·费切尔,乔治娅·古德曼,康拉德·坎普,迈克·加萨威,安娜·阿克顿,露露·泰勒,艾莉·康德伦,多米尼克·马厄,大卫·斯图尔扎克圣山1973
亚历桑德罗·佐杜洛夫斯基,霍拉西奥·萨利纳斯,Zamira Saunders,胡安·费拉拉,阿德里安娜·佩奇 ,Burt Kleiner,Valerie Jodorowsky,Nicky Nichols,理查德·鲁托夫斯基,Luis Lomelí,Ana De Sade,Chucho-Chucho,Letícia Robles,Connie De La Mora,David Kapralik,Jacqueline Voltaire,José Antonio Alcaraz,赫克托・奥尔特加,阿丽尔·朵巴丝罗格河
米歇尔·佩吉,Art Alexakis,克里斯·科伊,迈克尔·库立兹,卢辛达·珍妮三国的星空第一部
檀健次,路金波,旺旺,任俊鹏,杨卫,良生,方浩然,沉寂,囧森瑟夫,一舟,肖合来提·艾尼,巽辰,易中天,李潇宇,蒋钲圣,陈一伊,何梓骞同类推荐
格斗家
周小伟小说作家阿贞与拳王父亲从小存在隔阂,父亲离世后,她通过格斗竞技探寻真相,逐渐理解父亲并完成自我蜕变。影片围绕父爱与亲情展开,男主角虽格斗天资一般,仍不懈追寻梦想。剧情融合文与武转换、善与恶抉择,最终阿贞为父正名,成为真正的格斗家 。
谁在战斗中闪耀
梅拉尼·罗兰,皮埃尔-伊夫·卡迪纳尔,安吉丽娜·沃雷斯,Sarah Pachoud,费利克斯·基赛勒,Juliette Gasquet,托马斯·乔里亚,Ilinka Lony,Lucas Cenciai,Najim Zeghoudi,马克桑斯·蒂阿尔,克莱尔·陈,安娜·卢瓦雷,比拉内·巴,斯特凡纳·瓦鲁彭,Serpentine Teyssier,Benjamin Lepennetier,Ludivine Colle,Pascal Decolland,Arnaud Straebler一家人面对13岁的贝尔蒂尔(Bertille)未确诊的病症时陷入挣扎。姐姐玛丽昂(Marion)在一段感情中找到慰藉。新的诊断改变了他们的未来,为贝尔蒂尔和她的家人带来了希望和继续前行的可能性。
丹凤眼
陈虹妤,麦肯娜·格瑞丝,麦特里伊·拉玛克里斯南,邬君梅,阿梅莉·齐尔伯,杜方,伊莲·亨德里克斯,梅根·海耶斯,克里斯汀·崔,夏洛特·安·塔克,布里顿·韦伯,Callie McClincy,Scott Deal,萨拉·科普金,R.基斯·哈里斯,乔纳森·D·威廉斯,马龙·托马斯,伊丽莎白·潘,Cecelia Specht,Katy Wilson,马克·德米特故事围绕黄琼展开,她8岁移民美国,始终难以融入周遭。渴望融入美国社会的她,痴迷于赢得“舞会皇后”头衔,将其视作被接纳的象征。当亲眼见证舞会皇后加冕 —— 那正是她向往成为的模样时,这份执念愈发强烈。为实现目标,琼发现了一项能改变种族的新科技,借此将自己变成了白人女孩。然而,当她改造后的面容开始衰败,她的追求走向黑暗转折,迫使她直面自身行为的后果。
咒·丝
戴立忍,梁静,翟子陌,孔宋今,安琥,张瑶电台主持人卓镇涛(戴立忍 饰)极富才气,他主持的情感心理节目深受广大听众喜爱。他还有一个令人羡慕的家庭,妻子(梁静 饰)贤良持家,长女晓艺是T台的新星,儿子晓柏(翟文斌 饰)是有名的造型师,小女晓芊更是清新可人,伹随着妻子在水族馆的不幸遇害,这个美满的家庭发生了巨大变化。警方确认为他杀,而卓镇涛因忙于工作疏于家庭从而背上了很大的心理包袱。三个孩子为两任妻子所生,而两任妻子全都死于非命。晓艺把责任一鼓脑推给爸爸,虽说同父异母的孩孒们相处融洽,但作为心理专家的卓镇涛确实难辞其究。随着又一桩诡异事件的发生,真相即将浮出水面......
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster