加美杏奈 – 淫蜜 二人旅の夜
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动物本能
古勒莫·法兰塞拉,卡拉·彼德森,Gloria Carrá,马塞洛·索比奥托在肉品工厂担任经理的安东尼，与美丽的娇妻生了三个聪明伶俐的孩子，一家五口住在邻近海边的独栋大房，日子过得惬意又舒适，直到一次意外昏倒，才被医生诊断出肾脏出了毛病，必须靠洗肾才能维生。 一向奉公守法的安东尼，深怕自己熬不住排队等换肾的煎熬，决定偷偷向非法管道求援，在网上找到了一对愿意以肾脏交换大房子的无业情侣，正当他下定决心要砸下重金来拯救自己生命之时，他原本幸福美满的生活，也随着器官交易背后的层层危机，渐渐脱序崩毁...
莫·吉里根：活在当下
莫·吉里根Follows British comedian Mo Gilligan as he dishes on fame, family and being British in America.
异形终结
彼得·威勒,罗伊·迪普伊,詹妮弗·鲁宾,安德鲁·劳厄尔,迈克尔•卡洛兹,杰森·卡弗利尔,莱尼·帕克,布鲁斯·博阿,查尔斯·鲍威尔,Liliana Komorowska,Tom Berry,Henry Ramer故事发生在遥远的2078年，矿业组织NEB在天狼星6B行星上发现了名为“Berynium”的元素，该元素蕴含着巨大的能量，可以用来充当能源使用。组织派遣了一批矿工前往行星进行能源开采，然而工人们很快就发现，Berynium拥有强烈的放射性，根本不适合使用。虽然矿工们强烈要求停止任务，但组织却不为所动，无奈之下，矿工们自发的组成了“联盟”，和组织之间开始漫长的对抗。为了抵挡组织的猛烈攻击，联盟研制出了小型机器人“Screamer”，它拥有敏捷的身手和强大的攻击力，给敌方造成了巨大的伤害。然而，联盟并不知道的是，在不知不觉间，机器人们已经进化出了自我意识，想要成为这颗星球上的主宰者。
正人君子2024
崔贞允,许伊在,安喜延,安世珉达到合格率99%，顾客满意度100%的自荐书代笔人宝允，声名大噪的她本人却在为公务员考试而烦恼，在超市打工的她每天都过得非常不如意。为了就业被意想不到的事件所纠缠。宝允的人生渐渐陷入无法控制的困境
用武之地
肖央,齐溪,任达华,郑恺,潘斌龙,法提,奥黛丽·欧塔维阿诺影片取材自境外幸存人质真实自救经历。 驻外记者马笑（肖央 饰）和志愿医生潘文佳（齐溪 饰）夫妇，陪同工程师苗峰（郑恺 饰）赴郊区修理基站，当地局势突变。三人一路躲避恐怖组织的无差别袭击，最终还是被绑架沦为人质，并在狱中结识了华侨商人周伟杰（任达华 饰）。面对恐怖分子闻所未闻的屠杀暴行和以命换钱的勒索，他们历经105天，展开了一场惊心动魄的自救逃生。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.