黑色午夜
小娟（陈蓓琪 饰）是一个天性放荡不羁奔放爱玩的女孩，在男友的半哄半骗之下，她不仅失了身，甚至下海成为了一名舞艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。同为舞女的紫莹（于芷蔚 饰）不忍心看到小娟就这样堕落下去，劝说她赶紧多存钱，傍个大款早日脱离苦海。
即刻观影
剧情赏析
编辑推荐
那一晚，我知道你做了什么
王婷,王昭,张喜来,李小胖,袁琳兰,李星辰影片《那一晚，我知道你做了什么》 讲述了四位大学好友，马韦、贾超、刘强、翟杰磊在毕业前最后一顿散伙饭后准备疯狂一把，不了发生了一件让众人始料未及的事件。好学生翟杰磊被抓，一夜之间他的生活发生了翻天覆地的变化，此后翟杰磊便渺无音讯，大家也各奔东西。三年后，翟杰磊的未婚妻娜娜竟然突然打电话给翟杰磊当年的三位好友马韦，刘强等人，邀请他们参加自己和系花娜娜的婚礼，而他最终却没有出现。一场密室真心话大冒险由此拉开序幕。 已达到院线电影标准的《那一晚，我知道你做了什么》在2016年北京青年电影展闭幕式上成功入围北京青年影展“第一届最佳网络电影”单元，并获得最佳网络大电影奖。导演冯海涛在发表表彰感言时表示，感谢影展关注网络大电影，这是网络大电影第一次在表彰典礼登堂入室，这是观众的进步，是中国电影的进步。网络大电影成为本届电影展上众人关注的焦点。 影片悬疑色彩浓厚，剧情非常深入人心，是一部非常值得期待的电影。
最佳女婿
张学友,周星驰,莫少聪,张敏,吴耀汉,沈殿霞,梁荣忠,胡枫,廖启智,郑欣宜美发师纪阿开（张学友）、服装设计师大眼龙（莫少聪）和风水师赖布丁（周星驰）三个死党合伙开了一家新潮美发店，不料开业当天就与隔壁理发店老板发生争执，幸得店老板女儿亚英（张敏）及时出手风波平息，过程中，三人皆被亚英魅力吸引，为赢其芳心，开始频频登其家门献殷勤。 某次晚餐聚会后，三人烂醉与亚英误睡一室，导致亚英怀孕，为与亚英一起生活，三人争先恐后将准父亲一职往自己身上揽，又因三人血型相同，医院也无法验出谁在冒名，亚英父母决定先考察三人表现，为争当最佳女婿，三人使尽浑身解数展开激烈角逐。
大厨
让·雷诺,迈克尔·扬,Raphaëlle Agogué,朱利安·波义塞利尔,莎乐梅·斯蒂文宁,Serge Larivière德高望重的亚历山大（让·雷诺 Jean Reno 饰）多年来一直是米其林餐厅的三星主厨，但是近来他的境遇却屡现危机。当下的法国料理界正是”分子料理”风靡，传统料理日渐衰落的时代，亚历山大所坚持的传统料理很有可能会在即将到来的星级评审中落败，餐厅的小开更是翘首以盼可以就此炒了他。正当亚历山大焦头烂额之时，一名名不见经传的小厨师杰克（迈克尔·扬 Michaël Youn 饰）出现了，杰克是亚历山大食谱的忠实追随者，却因对料理的狂热固执屡次失业，只好在养老院找了份油漆工作。一个偶然的机会，亚历山大让杰克到他的餐厅实习，杰克与生俱来的料理天分和另辟蹊径的烹调创意令亚历山大大为赏识，很快成为其左右手。星级评审越来越近，两位传统烹饪大师的合作能否在挑剔的”分子料理”派面前力挽狂澜呢？
回廊亭杀人事件
常盘贵子,内藤刚志,田中圭,田中哲司,赵珉和,德永绘里,入来茉里,井口恭子,増田修一朗,国生小百合,丰田真帆,松尾谕显赫富商一原高显（北村总一朗 饰）病故，他的亲属们齐齐来到高级日式客栈“回廊亭”举行断七法事，当然最令他们关心的还是遗产分配事宜。每个人都心怀鬼胎，渴望获得最大利益，也格外防备着其他人的算计，所谓亲情变得不值一提。就在这一关键时刻，一名神秘而美艳的女子突然出现在一原家面前，她自称本间美代子（常盘贵子 饰），是与死者生前颇有渊源的老婆婆的女儿。夜深人静，做梦发财的贪婪之人没有等到他们的遗产，反而等来死神的光临。破灭的爱情，破败的人生，曾经种下的恶缘种子，在回廊亭开始发芽。 本片根据东野圭吾的原作小说改编。
字母杀手
艾丽莎·杜什库,加利·艾尔维斯,汤姆·马洛伊,蒂莫西·赫顿,迈克尔·艾恩塞德纽约，一名女童在登上一辆汽车后遇害身亡，女警梅根（艾丽莎·杜什库 Eliza Dushku 饰）调查此案，她敏锐的意识到被害女童的姓与名以及案发地三者的首字母相同，但除此之外毫无线索，梅根为查案用尽办法，然而却一无所获，反而梅根本人的精神压力日渐累积，她开始看到被害女童的幻影，终于精力不支甚至选择自杀，最后不得不接受精神治疗。两年后，再次有符合首字母规律的女童被害案件发生，此时的梅根不顾上司反对，再次介入调查，她和搭档在排查多位嫌疑人的同时，这位针对女童的“首字母杀手”作案愈发频繁。梅根究竟能否拼贴出凶手的真相？ 本片根据真实案件改编。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.