爱到尽

★ 7.3 播放:23万 更新:2026-05-27
主演: 钟德胜/

  《愛到盡》是導演鍾德勝繼《只愛陌生人》(2005)後的最新力作,它是一個關於欺騙和背叛的同志電影。故事圍繞一位反叛的青年,其母因為接受不了他的同性戀傾向而自殺,促使他終日以毒品來麻醉自己,並開始了賣淫生涯。男友為拯救他而報警求助。進入了戒毒所的他又認識了一位前吸毒者。在離開戒毒所後,二人發展出一段曖昧的關係。怎料,竟換來不可估計的沉重後果海外影视

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剧情简介

  《愛到盡》是導演鍾德勝繼《只愛陌生人》(2005)後的最新力作,它是一個關於欺騙和背叛的同志電影。故事圍繞一位反叛的青年,其母因為接受不了他的同性戀傾向而自殺,促使他終日以毒品來麻醉自己,並開始了賣淫生涯。男友為拯救他而報警求助。進入了戒毒所的他又認識了一位前吸毒者。在離開戒毒所後,二人發展出一段曖昧的關係。怎料,竟換來不可估計的沉重後果海外影视

导演精选

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

迟来的愤怒

  威尼斯的地平线单元中,出现了这样一部电影,不扯人性,“三观”却正到让人大呼过瘾,这就是讲述了一个干脆利落的复仇故事的西班牙电影《迟来的愤怒》。  影片讲述了一个男人为了替在抢劫案中惨死的女友和变成植物人的老爸报仇,潜伏八年,甚至睡了抢劫团伙司机的孩子他妈,只为等他出狱,威胁他,顺藤摸瓜找到躲藏起来的真凶们,一个一个复仇。

凶兆1976

 故事发生在1966年6月6日的上午6时,在这样一个不吉利的时刻,美国大使罗伯特(格利高里·派克 Gregory Peck 饰)领养了一个男孩并取名戴米(哈维·史蒂芬斯 Harvey Stephens 饰)。随着时间的推移,戴米渐渐长大,一些奇怪事件的接连发生预示着厄运敲响了罗伯特的家门。戴米的保姆莫名自杀后,一个神秘的女人贝洛克(比莉·怀特劳 Billie Whitelaw 饰)毛遂自荐留在了戴米的身边。之后,神父博南(帕特里克·斯偌顿 Patrick Troughton 饰)找到了罗伯特,他告诉罗伯特,戴米是撒旦的孩子,戴米会不择手段完成统治世界的野心。对于神父的话,罗伯特半信半疑,直到博南神父的死讯传来,罗伯特才意识到,事态的发展是多么的糟糕。