剧情纵览
马塞洛(马塞洛·马斯楚安尼暂无内容Marcello暂无内容Mastroianni暂无内容饰)、菲利普(菲利浦·诺瓦雷暂无内容Philippe暂无内容Noiret暂无内容饰)、雨果(乌戈·托格内吉暂无内容Ugo暂无内容Tognazzi暂无内容饰)和米歇尔(米歇尔·皮寇利暂无内容Michel暂无内容Piccoli暂无内容饰)是四个事业有成但心灵空虚的中年男人,面对再无可恋的世界,四人决定以一种极其夸张的方式在极致的快感中迎来他们的死亡。
马塞洛(马塞洛·马斯楚安尼暂无内容Marcello暂无内容Mastroianni暂无内容饰)、菲利普(菲利浦·诺瓦雷暂无内容Philippe暂无内容Noiret暂无内容饰)、雨果(乌戈·托格内吉暂无内容Ugo暂无内容Tognazzi暂无内容饰)和米歇尔(米歇尔·皮寇利暂无内容Michel暂无内容Piccoli暂无内容饰)是四个事业有成但心灵空虚的中年男人,面对再无可恋的世界,四人决定以一种极其夸张的方式在极致的快感中迎来他们的死亡。
秘密是相爱的人之间最大的敌人,就像一颗定时炸弹,伺机等待毁掉美好的一切。瑞罕听从沙伊娜的建议,为了更好的工作和生活离开印度再次来到罗马尼亚,沙伊娜兴高采烈的规划着二人未来的生活,却得不到瑞罕的赞同与支持,甚至爆发了更激烈的争吵。沙伊娜隐约感觉瑞罕有心事却不肯说,而更可怕的是沙伊娜渐渐的开始看见一些别人看不到的东西,甚至是莫名其妙的出现在距家几十公里外的电话亭却不自知。对于沙伊娜的恐惧,瑞罕却不以为意。愈演愈烈的诡异行为究竟是沙伊娜的恶作剧,还是存在着可怕的操控者?适时出现的阿迪蒂亚这位前男友能否代替瑞罕拯救沙伊娜?相爱的两个人又将面对怎样的结局... ...
2020年,在香港首次发现稳定虫洞,人们可以通过稳定虫洞回到历史上的时间节点,为了防止有人通过虫洞回到历史并破坏历史,时空管理局应运而生。 时空管理局担负着校正历史、让历史按着既定轨道运行的使命。然而时空守卫队队长左石,却突然率领五名部下,携带着超出时代进程的枪支武器,闯入虫洞,回到了历史中的秦阳城,意图以颠覆历史要挟时管局在48小时内关闭虫洞。 为了挽救历史,女探员景彤临危受命与前守卫队队长秦朗,带领新组建的守卫队,配备青铜武器回到历史之中,阻止左石一行。
In a small rural community local police officers Zoe and Patrick begin their shift as normal but it soon becomes clear that something is wrong. Strange events unfold before their eyes, residents begin behaving strangely and mass suicide panic spreads amongst the community they are trying to protect. Zoe and Patrick realise they are under siege from alien machines as they become cut off from the outside world. They are forced to do battle against these uninvited visitors. With the help of some of the residents Zoe and Patrick begin unravelling the mystery and soon discover it is not all as it seems. Can Zoe and Patrick save their community and the outside world from extinction? 在一个小的农村社区,当地警察佐伊和帕特里克开始正常换班,但很快就清楚出了问题。奇怪的事情展现在他们眼前,居民开始奇怪的行为,大规模的自杀恐慌在他们试图保护的社区中蔓延。佐伊和帕特里克意识到,当他们与外界隔绝时,他们正受到外来机器的围攻。他们被迫与这些不速之客作战。在一些居民的帮助下,佐伊和帕特里克开始解开这个谜团,很快发现它并不像看上去的那样。佐伊和帕特里克能拯救他们的社区和外部世界免于灭绝吗?
Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth. With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50. Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned. Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.