岳母韵事

⭐ 2.6 播放:00万 2026-05-23

秋穗的丈夫是個工作狂,讓她每天都因慾求不滿而苦惱不已。和懷有身孕的女兒和女婿

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剧情提要

秋穗的丈夫是個工作狂,讓她每天都因慾求不滿而苦惱不已。和懷有身孕的女兒和女婿

幕后花絮

弗兰肯斯坦的新娘

在弗兰肯斯坦怪物结婚的那天,村民们暴动并杀死了他。他的新娘逃跑了,发誓要报复负责的市民,并最终复活了怪物——在她身后留下了血迹。

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster